Whither drifted “The Sailors of Marseilles” in 1917?

The article analyzes the history of lesser-known literary union “The Sailors of Marseilles” that existed in Petrograd in 1917. Mikhail Kuzmin was the central figure and the most popular writer in this union. Other “sailors” were young poets who wanted to reach out the audience and to get the opportu...

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Autor principal: Aleksandra S. Pakhomova
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RU
Publicado: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2021
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spelling oai:doaj.org-article:5ae8698e426a44ef8b65a8f2245a704e2021-11-24T14:16:54ZWhither drifted “The Sailors of Marseilles” in 1917?10.22455/2541-8297-2021-19-181-1992541-82972542-2421https://doaj.org/article/5ae8698e426a44ef8b65a8f2245a704e2021-03-01T00:00:00Zhttp://litfact.ru/images/2021-19/2021-1-19_181-199_Pakhomova.pdfhttps://doaj.org/toc/2541-8297https://doaj.org/toc/2542-2421The article analyzes the history of lesser-known literary union “The Sailors of Marseilles” that existed in Petrograd in 1917. Mikhail Kuzmin was the central figure and the most popular writer in this union. Other “sailors” were young poets who wanted to reach out the audience and to get the opportunity for publication. Until now, this union has not been studied in the context of Kuzmin’s oeuvre, literary reputation and author’s strategies. Some conclusions have been made in the process of our research. First of all, Kuzmin’s attitude to literary unions has been specified. As we can see, he considered literary groups as a commonwealth of independent authors exploiting shared writing technics. On the other hand, he did not approve ideological unification within such unions. Denying hierarchy in literary groups, Kuzmin strove to create a literary union on an equal footing. He emphasized the individuality of each “sailor” to create to make it real, but in fact, this union was just adopting Kuzmin’s techniques, i.e., it followed the authoritative model. It should be mentioned, that the organization of the group was also the Kuzmin’s endeavour to assert his literary reputation that was in decline during 1917. Moreover, the whole concept of “The Sailors of Marseilles” was carried in accordance with the nautical symbolics developed by Kuzmin in 1917. The sea was the sign of power and war, and the sailors were the image of fraternity capable to contradict this power. “The Sailors of Marseilles” in the final count can be considered as creative-life Kuzmin’s project.Aleksandra S. PakhomovaRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticlemikhail kuzmin“the sailors of marseilles”literary unionliterary reputationyuri degenmoisey bamdasLiterature (General)PN1-6790Slavic languages. Baltic languages. Albanian languagesPG1-9665ENRUЛитературный факт, Iss 1 (19), Pp 181-199 (2021)
institution DOAJ
collection DOAJ
language EN
RU
topic mikhail kuzmin
“the sailors of marseilles”
literary union
literary reputation
yuri degen
moisey bamdas
Literature (General)
PN1-6790
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle mikhail kuzmin
“the sailors of marseilles”
literary union
literary reputation
yuri degen
moisey bamdas
Literature (General)
PN1-6790
Slavic languages. Baltic languages. Albanian languages
PG1-9665
Aleksandra S. Pakhomova
Whither drifted “The Sailors of Marseilles” in 1917?
description The article analyzes the history of lesser-known literary union “The Sailors of Marseilles” that existed in Petrograd in 1917. Mikhail Kuzmin was the central figure and the most popular writer in this union. Other “sailors” were young poets who wanted to reach out the audience and to get the opportunity for publication. Until now, this union has not been studied in the context of Kuzmin’s oeuvre, literary reputation and author’s strategies. Some conclusions have been made in the process of our research. First of all, Kuzmin’s attitude to literary unions has been specified. As we can see, he considered literary groups as a commonwealth of independent authors exploiting shared writing technics. On the other hand, he did not approve ideological unification within such unions. Denying hierarchy in literary groups, Kuzmin strove to create a literary union on an equal footing. He emphasized the individuality of each “sailor” to create to make it real, but in fact, this union was just adopting Kuzmin’s techniques, i.e., it followed the authoritative model. It should be mentioned, that the organization of the group was also the Kuzmin’s endeavour to assert his literary reputation that was in decline during 1917. Moreover, the whole concept of “The Sailors of Marseilles” was carried in accordance with the nautical symbolics developed by Kuzmin in 1917. The sea was the sign of power and war, and the sailors were the image of fraternity capable to contradict this power. “The Sailors of Marseilles” in the final count can be considered as creative-life Kuzmin’s project.
format article
author Aleksandra S. Pakhomova
author_facet Aleksandra S. Pakhomova
author_sort Aleksandra S. Pakhomova
title Whither drifted “The Sailors of Marseilles” in 1917?
title_short Whither drifted “The Sailors of Marseilles” in 1917?
title_full Whither drifted “The Sailors of Marseilles” in 1917?
title_fullStr Whither drifted “The Sailors of Marseilles” in 1917?
title_full_unstemmed Whither drifted “The Sailors of Marseilles” in 1917?
title_sort whither drifted “the sailors of marseilles” in 1917?
publisher Russian Academy of Sciences. A.M. Gorky Institute of World Literature
publishDate 2021
url https://doaj.org/article/5ae8698e426a44ef8b65a8f2245a704e
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