Lope de Vega and the French theatre of the XVIIth century

This article discusses the reception of Lope de Vega’s work, specifically of his dramatics compositions, in the French theatre of the XVII Century. As well as presenting the full picture and a description of those Lope’s compositions that have been adapted, this article proposes some methodologic o...

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Autor principal:	Christophe Couderc
Formato:	article
Lenguaje:	ES
Publicado:	Universitat Autònoma de Barcelona 2017
Materias:	Lope de Vega reception diffusion adaptation in France. Literature (General) PN1-6790
Acceso en línea:	https://doaj.org/article/5b5ec54f37064e74aafe53fe5ebc5c77
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spelling	oai:doaj.org-article:5b5ec54f37064e74aafe53fe5ebc5c772021-12-05T09:50:31ZLope de Vega and the French theatre of the XVIIth century10.5565/rev/anuariolopedevega.2022014-8860https://doaj.org/article/5b5ec54f37064e74aafe53fe5ebc5c772017-01-01T00:00:00Zhttps://revistes.uab.cat/anuariolopedevega/article/view/202https://doaj.org/toc/2014-8860 This article discusses the reception of Lope de Vega’s work, specifically of his dramatics compositions, in the French theatre of the XVII Century. As well as presenting the full picture and a description of those Lope’s compositions that have been adapted, this article proposes some methodologic observations related to the difficulty of defining a textual corpus at a period when the practice of imitation does not obey the current standards. Moreover, it stresses the need to take into account the construction of a certain “figure of author” around Lope de Vega, who is considered in France as the highest representative of the Spanish theatre as a whole. Christophe CoudercUniversitat Autònoma de BarcelonaarticleLope de Vegareceptiondiffusionadaptation in France.Literature (General)PN1-6790ESAnuario Lope de Vega: Texto, Literatura, Cultura, Vol 23 (2017)
institution	DOAJ
collection	DOAJ
language	ES
topic	Lope de Vega reception diffusion adaptation in France. Literature (General) PN1-6790
spellingShingle	Lope de Vega reception diffusion adaptation in France. Literature (General) PN1-6790 Christophe Couderc Lope de Vega and the French theatre of the XVIIth century
description	This article discusses the reception of Lope de Vega’s work, specifically of his dramatics compositions, in the French theatre of the XVII Century. As well as presenting the full picture and a description of those Lope’s compositions that have been adapted, this article proposes some methodologic observations related to the difficulty of defining a textual corpus at a period when the practice of imitation does not obey the current standards. Moreover, it stresses the need to take into account the construction of a certain “figure of author” around Lope de Vega, who is considered in France as the highest representative of the Spanish theatre as a whole.
format	article
author	Christophe Couderc
author_facet	Christophe Couderc
author_sort	Christophe Couderc
title	Lope de Vega and the French theatre of the XVIIth century
title_short	Lope de Vega and the French theatre of the XVIIth century
title_full	Lope de Vega and the French theatre of the XVIIth century
title_fullStr	Lope de Vega and the French theatre of the XVIIth century
title_full_unstemmed	Lope de Vega and the French theatre of the XVIIth century
title_sort	lope de vega and the french theatre of the xviith century
publisher	Universitat Autònoma de Barcelona
publishDate	2017
url	https://doaj.org/article/5b5ec54f37064e74aafe53fe5ebc5c77
work_keys_str_mv	AT christophecouderc lopedevegaandthefrenchtheatreofthexviithcentury
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Lope de Vega and the French theatre of the XVIIth century

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