La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
Thanks to archaeometry, the study of early medieval sculpture has changed profoundly over the last thirty years. In addition to the formal, typological and contextual data of works that are sometimes isolated or fragmentary, the analysis of materials adds the possibility of tracing the history of th...
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École du Louvre
2021
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oai:doaj.org-article:5c124ed7557d4eebaef138b7c9331f512021-12-02T11:31:38ZLa sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs2262-208X10.4000/cel.19870https://doaj.org/article/5c124ed7557d4eebaef138b7c9331f512021-11-01T00:00:00Zhttp://journals.openedition.org/cel/19870https://doaj.org/toc/2262-208XThanks to archaeometry, the study of early medieval sculpture has changed profoundly over the last thirty years. In addition to the formal, typological and contextual data of works that are sometimes isolated or fragmentary, the analysis of materials adds the possibility of tracing the history of the major extraction and distribution centres. According to a methodology based on innovative techniques, these analyses make it possible to distinguish materials that are very similar in appearance, especially white marbles, and thus to determine their provenance, marketing and use. Systematically applied in certain regions (Occitania, Aquitania), they have provided vital data for the study of the materiality of sculptures, opening new perspectives for research.Anne-Bénédicte Mérel-BrandenburgÉcole du LouvrearticleLate AntiquityEarly Middle AgesFrancesculpturequarrieswhite marbleFine ArtsNAnthropologyGN1-890ArchaeologyCC1-960FRLes Cahiers de l'École du Louvre, Vol 17 (2021) |
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Late Antiquity Early Middle Ages France sculpture quarries white marble Fine Arts N Anthropology GN1-890 Archaeology CC1-960 |
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Late Antiquity Early Middle Ages France sculpture quarries white marble Fine Arts N Anthropology GN1-890 Archaeology CC1-960 Anne-Bénédicte Mérel-Brandenburg La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs |
description |
Thanks to archaeometry, the study of early medieval sculpture has changed profoundly over the last thirty years. In addition to the formal, typological and contextual data of works that are sometimes isolated or fragmentary, the analysis of materials adds the possibility of tracing the history of the major extraction and distribution centres. According to a methodology based on innovative techniques, these analyses make it possible to distinguish materials that are very similar in appearance, especially white marbles, and thus to determine their provenance, marketing and use. Systematically applied in certain regions (Occitania, Aquitania), they have provided vital data for the study of the materiality of sculptures, opening new perspectives for research. |
format |
article |
author |
Anne-Bénédicte Mérel-Brandenburg |
author_facet |
Anne-Bénédicte Mérel-Brandenburg |
author_sort |
Anne-Bénédicte Mérel-Brandenburg |
title |
La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs |
title_short |
La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs |
title_full |
La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs |
title_fullStr |
La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs |
title_full_unstemmed |
La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs |
title_sort |
la sculpture de l'antiquité tardive et du haut moyen âge, matériaux et analyses : les marbres blancs |
publisher |
École du Louvre |
publishDate |
2021 |
url |
https://doaj.org/article/5c124ed7557d4eebaef138b7c9331f51 |
work_keys_str_mv |
AT annebenedictemerelbrandenburg lasculpturedelantiquitetardiveetduhautmoyenagemateriauxetanalyseslesmarbresblancs |
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1718395880596307968 |