La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs

Thanks to archaeometry, the study of early medieval sculpture has changed profoundly over the last thirty years. In addition to the formal, typological and contextual data of works that are sometimes isolated or fragmentary, the analysis of materials adds the possibility of tracing the history of th...

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Autor principal: Anne-Bénédicte Mérel-Brandenburg
Formato: article
Lenguaje:FR
Publicado: École du Louvre 2021
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Acceso en línea:https://doaj.org/article/5c124ed7557d4eebaef138b7c9331f51
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spelling oai:doaj.org-article:5c124ed7557d4eebaef138b7c9331f512021-12-02T11:31:38ZLa sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs2262-208X10.4000/cel.19870https://doaj.org/article/5c124ed7557d4eebaef138b7c9331f512021-11-01T00:00:00Zhttp://journals.openedition.org/cel/19870https://doaj.org/toc/2262-208XThanks to archaeometry, the study of early medieval sculpture has changed profoundly over the last thirty years. In addition to the formal, typological and contextual data of works that are sometimes isolated or fragmentary, the analysis of materials adds the possibility of tracing the history of the major extraction and distribution centres. According to a methodology based on innovative techniques, these analyses make it possible to distinguish materials that are very similar in appearance, especially white marbles, and thus to determine their provenance, marketing and use. Systematically applied in certain regions (Occitania, Aquitania), they have provided vital data for the study of the materiality of sculptures, opening new perspectives for research.Anne-Bénédicte Mérel-BrandenburgÉcole du LouvrearticleLate AntiquityEarly Middle AgesFrancesculpturequarrieswhite marbleFine ArtsNAnthropologyGN1-890ArchaeologyCC1-960FRLes Cahiers de l'École du Louvre, Vol 17 (2021)
institution DOAJ
collection DOAJ
language FR
topic Late Antiquity
Early Middle Ages
France
sculpture
quarries
white marble
Fine Arts
N
Anthropology
GN1-890
Archaeology
CC1-960
spellingShingle Late Antiquity
Early Middle Ages
France
sculpture
quarries
white marble
Fine Arts
N
Anthropology
GN1-890
Archaeology
CC1-960
Anne-Bénédicte Mérel-Brandenburg
La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
description Thanks to archaeometry, the study of early medieval sculpture has changed profoundly over the last thirty years. In addition to the formal, typological and contextual data of works that are sometimes isolated or fragmentary, the analysis of materials adds the possibility of tracing the history of the major extraction and distribution centres. According to a methodology based on innovative techniques, these analyses make it possible to distinguish materials that are very similar in appearance, especially white marbles, and thus to determine their provenance, marketing and use. Systematically applied in certain regions (Occitania, Aquitania), they have provided vital data for the study of the materiality of sculptures, opening new perspectives for research.
format article
author Anne-Bénédicte Mérel-Brandenburg
author_facet Anne-Bénédicte Mérel-Brandenburg
author_sort Anne-Bénédicte Mérel-Brandenburg
title La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
title_short La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
title_full La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
title_fullStr La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
title_full_unstemmed La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
title_sort la sculpture de l'antiquité tardive et du haut moyen âge, matériaux et analyses : les marbres blancs
publisher École du Louvre
publishDate 2021
url https://doaj.org/article/5c124ed7557d4eebaef138b7c9331f51
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