CEMETERIES AND TOMBSTONES FROM POSOF AROUND

Posof and its surroundings are encountered with important examples of historical Turkish-Islamic tombstone cultures. These examples reveal important clues of the past day-time Islamic belief and Turkish culture when they are evaluated in terms of their forms, motifs, and iconographic contents. As th...

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Autor principal: Ali Murat AKTEMUR
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Publicado: Fırat University 2019
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Acceso en línea:https://doaj.org/article/5d9ac3631ebd48469c2477bfba238cbb
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id oai:doaj.org-article:5d9ac3631ebd48469c2477bfba238cbb
record_format dspace
institution DOAJ
collection DOAJ
language DE
EN
FR
TR
topic cemetery
tombstone
posof
i̇conography
abstract sculpture
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle cemetery
tombstone
posof
i̇conography
abstract sculpture
Social Sciences
H
Social sciences (General)
H1-99
Ali Murat AKTEMUR
CEMETERIES AND TOMBSTONES FROM POSOF AROUND
description Posof and its surroundings are encountered with important examples of historical Turkish-Islamic tombstone cultures. These examples reveal important clues of the past day-time Islamic belief and Turkish culture when they are evaluated in terms of their forms, motifs, and iconographic contents. As the Ardahan and its surroundings are in the whole of Kars and its environs, the abstract sculpture tombstones in the form of abstract sculpture, which are widely anticipated in Posof and its environs as well as the surroundings of Kars and its environs, are made up of the Islamic identity of the pre-Islamic sculptural historical Turkish gravestones, they are continuing. The tombstones of Ahiska origin Turks constituting the majority of population in the vicinity of Posof come out against the old tombstones in the form of Turkish sculptures, without the face and the other limbs being abstracted. It is possible to find a group of these important examples in the Old Rabat Cemetery and Kayabaşı Cemetery. Posof and its surroundings are encountered with important examples of historical Turkish-Islamic tombstone cultures. These examples reveal important clues of the past day-time Islamic belief and Turkish culture when they are evaluated in terms of their forms, motifs, and iconographic contents. As the Ardahan and its surroundings are in the whole of Kars and its environs, the abstract sculpture tombstones in the form of abstract sculpture, which are widely anticipated in Posof and its environs as well as the surroundings of Kars and its environs, are made up of the Islamic identity of the pre-Islamic sculptural historical Turkish gravestones, they are continuing. The tombstones of Ahiska origin Turks constituting the majority of population in the vicinity of Posof come out against the old tombstones in the form of Turkish sculptures, without the face and the other limbs being abstracted. It is possible to find a group of these important examples in the Old Rabat Cemetery and Kayabaşı Cemetery. The graveyard of the Old Rabat neighborhood connected to Ardahan's Posof district exhibits important examples of the historical Turkish gravestone tradition. However, since most of the tombs were without cisterns, they were more easily destroyed, and only the head and foot prophets could survive. One of these is the inscription of "La ilahe illallah Muhammaden Rasulullah", the headstone of the mausoleum, the other elements of which are lost. This grave continues the tradition of sculptural grave stone, which is widespread in the Ardahan region. The cylindrical neck, which is shaped like a profile "V" collar on both sides, is slightly tall at the head, and is processed in the form of an abstract sculpture with wide shoulders, medals on both shoulders (may be a veteran medal or military rank). All these features strengthen the likelihood that this wartime stone may have remained a grave soldier or a tomb belonging to a gazelle. Although they are extensively isolated in the cemetery called Kayabasi Cemetery in the Kayabaşı Quarter of the center of Posof District, there are examples of tombstones reflecting the tradition of sculpture and balbal style sculpture in Central and Central Asia. The origin of the ancient Turkish tombstone tradition continued in the form of abstract human sculpture with the abstractation of limestones made up according to pre-Islamic beliefs in the Middle and Central Asia, and extending to the balbalara, with the Islamic beliefs gaining an Anatolian identity, Posof region tombstones are important examples of Turkish-Islamic faith, culture and art. It is understood that when the inscriptions of the abstract human sculptured tombstones we read in the verse are read and the motifs are carefully analyzed, it is understood that they are graves of soldiers, martyrs and religious officers, and sometimes graves of noble and leader personality.
format article
author Ali Murat AKTEMUR
author_facet Ali Murat AKTEMUR
author_sort Ali Murat AKTEMUR
title CEMETERIES AND TOMBSTONES FROM POSOF AROUND
title_short CEMETERIES AND TOMBSTONES FROM POSOF AROUND
title_full CEMETERIES AND TOMBSTONES FROM POSOF AROUND
title_fullStr CEMETERIES AND TOMBSTONES FROM POSOF AROUND
title_full_unstemmed CEMETERIES AND TOMBSTONES FROM POSOF AROUND
title_sort cemeteries and tombstones from posof around
publisher Fırat University
publishDate 2019
url https://doaj.org/article/5d9ac3631ebd48469c2477bfba238cbb
work_keys_str_mv AT alimurataktemur cemeteriesandtombstonesfromposofaround
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spelling oai:doaj.org-article:5d9ac3631ebd48469c2477bfba238cbb2021-11-24T09:20:43ZCEMETERIES AND TOMBSTONES FROM POSOF AROUND2148-416310.9761/JASSS7409https://doaj.org/article/5d9ac3631ebd48469c2477bfba238cbb2019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=1427717665_19-Prof.%20Dr.%20Ali%20Murat%20Aktemur.pdf&key=28601https://doaj.org/toc/2148-4163Posof and its surroundings are encountered with important examples of historical Turkish-Islamic tombstone cultures. These examples reveal important clues of the past day-time Islamic belief and Turkish culture when they are evaluated in terms of their forms, motifs, and iconographic contents. As the Ardahan and its surroundings are in the whole of Kars and its environs, the abstract sculpture tombstones in the form of abstract sculpture, which are widely anticipated in Posof and its environs as well as the surroundings of Kars and its environs, are made up of the Islamic identity of the pre-Islamic sculptural historical Turkish gravestones, they are continuing. The tombstones of Ahiska origin Turks constituting the majority of population in the vicinity of Posof come out against the old tombstones in the form of Turkish sculptures, without the face and the other limbs being abstracted. It is possible to find a group of these important examples in the Old Rabat Cemetery and Kayabaşı Cemetery. Posof and its surroundings are encountered with important examples of historical Turkish-Islamic tombstone cultures. These examples reveal important clues of the past day-time Islamic belief and Turkish culture when they are evaluated in terms of their forms, motifs, and iconographic contents. As the Ardahan and its surroundings are in the whole of Kars and its environs, the abstract sculpture tombstones in the form of abstract sculpture, which are widely anticipated in Posof and its environs as well as the surroundings of Kars and its environs, are made up of the Islamic identity of the pre-Islamic sculptural historical Turkish gravestones, they are continuing. The tombstones of Ahiska origin Turks constituting the majority of population in the vicinity of Posof come out against the old tombstones in the form of Turkish sculptures, without the face and the other limbs being abstracted. It is possible to find a group of these important examples in the Old Rabat Cemetery and Kayabaşı Cemetery. The graveyard of the Old Rabat neighborhood connected to Ardahan's Posof district exhibits important examples of the historical Turkish gravestone tradition. However, since most of the tombs were without cisterns, they were more easily destroyed, and only the head and foot prophets could survive. One of these is the inscription of "La ilahe illallah Muhammaden Rasulullah", the headstone of the mausoleum, the other elements of which are lost. This grave continues the tradition of sculptural grave stone, which is widespread in the Ardahan region. The cylindrical neck, which is shaped like a profile "V" collar on both sides, is slightly tall at the head, and is processed in the form of an abstract sculpture with wide shoulders, medals on both shoulders (may be a veteran medal or military rank). All these features strengthen the likelihood that this wartime stone may have remained a grave soldier or a tomb belonging to a gazelle. Although they are extensively isolated in the cemetery called Kayabasi Cemetery in the Kayabaşı Quarter of the center of Posof District, there are examples of tombstones reflecting the tradition of sculpture and balbal style sculpture in Central and Central Asia. The origin of the ancient Turkish tombstone tradition continued in the form of abstract human sculpture with the abstractation of limestones made up according to pre-Islamic beliefs in the Middle and Central Asia, and extending to the balbalara, with the Islamic beliefs gaining an Anatolian identity, Posof region tombstones are important examples of Turkish-Islamic faith, culture and art. It is understood that when the inscriptions of the abstract human sculptured tombstones we read in the verse are read and the motifs are carefully analyzed, it is understood that they are graves of soldiers, martyrs and religious officers, and sometimes graves of noble and leader personality.Ali Murat AKTEMURFırat Universityarticlecemeterytombstoneposofi̇conographyabstract sculptureSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 10, Iss 64, Pp 237-268 (2019)