Switching perception of musical meters by listening to different acoustic cues of biphasic sound stimulus.
Meter is one of the core features of music perception. It is the cognitive grouping of regular sound sequences, typically for every 2, 3, or 4 beats. Previous studies have suggested that one can not only passively perceive the meter from acoustic cues such as loudness, pitch, and duration of sound e...
Guardado en:
Autores principales: | Sotaro Kondoh, Kazuo Okanoya, Ryosuke O Tachibana |
---|---|
Formato: | article |
Lenguaje: | EN |
Publicado: |
Public Library of Science (PLoS)
2021
|
Materias: | |
Acceso en línea: | https://doaj.org/article/5edf9d08fdcf444aa505e7e91ea5acc0 |
Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
Ejemplares similares
-
What drives sound symbolism? Different acoustic cues underlie sound-size and sound-shape mappings
por: Klemens Knoeferle, et al.
Publicado: (2017) -
Presence of Three-Dimensional Sound Field Facilitates Listeners’ Mood, Felt Emotion, and Respiration Rate When Listening to Music
por: Yuuki Ooishi, et al.
Publicado: (2021) -
Onomatopoeia – listening to the sounds behind the words
por: Schlegel, Claudia, et al.
Publicado: (2021) -
Acoustic cues for the perception of tones of disyllabic nouns in Edo
por: Victor E. Omozuwa
Publicado: (1991) -
Sensitivity to haptic sound-localisation cues
por: Mark D. Fletcher, et al.
Publicado: (2021)