Hvad er mesterværker? Kunsten som genforhandling af virkeligheden

This article discusses how the idea of a national list of canonical works of art is at odds with performative strategies in contemporary art as they have developed since the early avantgardes first began to mix art and everyday life. From the middle of the 20th century, performative art forms such a...

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Autor principal:	Laura Luise Schultz
Formato:	article
Lenguaje:	DA EN NB SV
Publicado:	The Royal Danish Library 2006
Materias:	Social Sciences H
Acceso en línea:	https://doaj.org/article/5ee14eb268e34891b233996133628094
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spelling	oai:doaj.org-article:5ee14eb268e34891b2339961336280942021-12-01T00:09:05ZHvad er mesterværker? Kunsten som genforhandling af virkeligheden10.7146/kkf.v0i1.280972245-6937https://doaj.org/article/5ee14eb268e34891b2339961336280942006-03-01T00:00:00Zhttps://tidsskrift.dk/KKF/article/view/28097https://doaj.org/toc/2245-6937This article discusses how the idea of a national list of canonical works of art is at odds with performative strategies in contemporary art as they have developed since the early avantgardes first began to mix art and everyday life. From the middle of the 20th century, performative art forms such as happening, body art and all sorts of peformance art and theatre, challenged the notion of the work of art in favor of a concept of art as event or practice. Through the work of American modernist poet Gertrude Stein, and especially her deconstruction of the concepts of masterpieces and genius, the article explores how the performative turn has changed the way art is inscribed in a larger cultural context and history: Significant works of art no longer claim their right to glory through their monumental permanence and significance, but through their ability to change: to relate to shifting perspectives on an ever-changing reality.Laura Luise SchultzThe Royal Danish LibraryarticleSocial SciencesHDAENNBSVKvinder, Køn & Forskning, Iss 1 (2006)
institution	DOAJ
collection	DOAJ
language	DA EN NB SV
topic	Social Sciences H
spellingShingle	Social Sciences H Laura Luise Schultz Hvad er mesterværker? Kunsten som genforhandling af virkeligheden
description	This article discusses how the idea of a national list of canonical works of art is at odds with performative strategies in contemporary art as they have developed since the early avantgardes first began to mix art and everyday life. From the middle of the 20th century, performative art forms such as happening, body art and all sorts of peformance art and theatre, challenged the notion of the work of art in favor of a concept of art as event or practice. Through the work of American modernist poet Gertrude Stein, and especially her deconstruction of the concepts of masterpieces and genius, the article explores how the performative turn has changed the way art is inscribed in a larger cultural context and history: Significant works of art no longer claim their right to glory through their monumental permanence and significance, but through their ability to change: to relate to shifting perspectives on an ever-changing reality.
format	article
author	Laura Luise Schultz
author_facet	Laura Luise Schultz
author_sort	Laura Luise Schultz
title	Hvad er mesterværker? Kunsten som genforhandling af virkeligheden
title_short	Hvad er mesterværker? Kunsten som genforhandling af virkeligheden
title_full	Hvad er mesterværker? Kunsten som genforhandling af virkeligheden
title_fullStr	Hvad er mesterværker? Kunsten som genforhandling af virkeligheden
title_full_unstemmed	Hvad er mesterværker? Kunsten som genforhandling af virkeligheden
title_sort	hvad er mesterværker? kunsten som genforhandling af virkeligheden
publisher	The Royal Danish Library
publishDate	2006
url	https://doaj.org/article/5ee14eb268e34891b233996133628094
work_keys_str_mv	AT lauraluiseschultz hvadermesterværkerkunstensomgenforhandlingafvirkeligheden
_version_	1718406079859130368

Hvad er mesterværker? Kunsten som genforhandling af virkeligheden

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