Confession and Writing in Dostoevsky’s Novel The Adolescent
This article analyses the specificity of Dostoevsky’s confessional prose, focusing on the novel The Adolescent. Dostoevsky can be defined as a superconfessional author, but he is characterized by a certain suspicion, and a certain mistrustfulness towards the very process of confession is typical of...
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Russian Academy of Sciences. A.M. Gorky Institute of World Literature
2021
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oai:doaj.org-article:5f6bfcb3abdb4ddc9a881f81afa384d22021-12-02T19:48:16ZConfession and Writing in Dostoevsky’s Novel The Adolescent10.22455/2619-0311-2021-3-39-522619-03112712-8512https://doaj.org/article/5f6bfcb3abdb4ddc9a881f81afa384d22021-09-01T00:00:00Zhttp://dostmirkult.ru/images/2021-3/02_Ghidini_39-52.pdfhttps://doaj.org/toc/2619-0311https://doaj.org/toc/2712-8512This article analyses the specificity of Dostoevsky’s confessional prose, focusing on the novel The Adolescent. Dostoevsky can be defined as a superconfessional author, but he is characterized by a certain suspicion, and a certain mistrustfulness towards the very process of confession is typical of him. The article attempts to show that this apparent paradox has its origins in the modern context in which Dostoevsky operates, when religious, sacramental confession gives way to a psychological practice of self-affirmation.Maria Candida GhidiniRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticledostoevskyrousseauсonfessionthe adolescentSlavic languages. Baltic languages. Albanian languagesPG1-9665ENRUДостоевский и мировая культура: Филологический журнал, Iss 3, Pp 39-52 (2021) |
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dostoevsky rousseau сonfession the adolescent Slavic languages. Baltic languages. Albanian languages PG1-9665 |
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dostoevsky rousseau сonfession the adolescent Slavic languages. Baltic languages. Albanian languages PG1-9665 Maria Candida Ghidini Confession and Writing in Dostoevsky’s Novel The Adolescent |
description |
This article analyses the specificity of Dostoevsky’s confessional prose, focusing on the novel The Adolescent. Dostoevsky can be defined as a superconfessional author, but he is characterized by a certain suspicion, and a certain mistrustfulness towards the very process of confession is typical of him. The article attempts to show that this apparent paradox has its origins in the modern context in which Dostoevsky operates, when religious, sacramental confession gives way to a psychological practice of self-affirmation. |
format |
article |
author |
Maria Candida Ghidini |
author_facet |
Maria Candida Ghidini |
author_sort |
Maria Candida Ghidini |
title |
Confession and Writing in Dostoevsky’s Novel The Adolescent |
title_short |
Confession and Writing in Dostoevsky’s Novel The Adolescent |
title_full |
Confession and Writing in Dostoevsky’s Novel The Adolescent |
title_fullStr |
Confession and Writing in Dostoevsky’s Novel The Adolescent |
title_full_unstemmed |
Confession and Writing in Dostoevsky’s Novel The Adolescent |
title_sort |
confession and writing in dostoevsky’s novel the adolescent |
publisher |
Russian Academy of Sciences. A.M. Gorky Institute of World Literature |
publishDate |
2021 |
url |
https://doaj.org/article/5f6bfcb3abdb4ddc9a881f81afa384d2 |
work_keys_str_mv |
AT mariacandidaghidini confessionandwritingindostoevskysnoveltheadolescent |
_version_ |
1718375964274065408 |