Influence of Novel by Gaston Leroux “The Phantom of the Opera” on Art in the 20th-21st Centuries

The questions of reception of the literary text in the intertext of culture are considered. The analysis of the novel by Gaston Leroux “The Phantom of the Opera” is made from two positions. On the one hand, the novel draws on a rich tradition of existence in the literature of the archetypal dichotom...

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Autor principal: M. Y. Lugovtsova
Formato: article
Lenguaje:RU
Publicado: Tsentr nauchnykh i obrazovatelnykh proektov 2017
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Acceso en línea:https://doaj.org/article/5fc1a5080e2f4396806fa44371511634
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spelling oai:doaj.org-article:5fc1a5080e2f4396806fa443715116342021-12-02T07:58:01ZInfluence of Novel by Gaston Leroux “The Phantom of the Opera” on Art in the 20th-21st Centuries2225-756X2227-129510.24224/2227-1295-2017-8-179-190https://doaj.org/article/5fc1a5080e2f4396806fa443715116342017-08-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/467https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The questions of reception of the literary text in the intertext of culture are considered. The analysis of the novel by Gaston Leroux “The Phantom of the Opera” is made from two positions. On the one hand, the novel draws on a rich tradition of existence in the literature of the archetypal dichotomy of “beauty and the beast,” which is found in the works of many authors from different countries. The author argues that “The Phantom of the Opera” by G. Leroux has a large-scale precedent base, the presence of which is confirmed by the more or less explicit markers of the presence of previously written texts in “The Phantom of the Opera.” For example, in the novel by G. Leroux there is undoubted presence of the following texts: “The Masque of the Red Death” by E. A. Poe, “Notre Dame Cathedral” by Victor Hugo, etc. On the other hand, the history of the influence of the novel by French writer on literature, cinema and theatre art of the 20th-21st centuries is examined. Lists of works based on the novel by G. Leroux “The Phantom of the Opera” is given. The characteristics of the artistic transformations of the novel in literature, theater, cinema of the 20th-21st centuries are analyzed. Actuality of work is determined by increased interest of modern literary studies to implementation of archetypal patterns in world literature, to the intertextual interaction in world literature, as well as to the issues of differentiation and interaction of classic and popular literature.M. Y. LugovtsovaTsentr nauchnykh i obrazovatelnykh proektovarticlegaston lerouxthe phantom of the operabeauty and the beastSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 8, Pp 179-190 (2017)
institution DOAJ
collection DOAJ
language RU
topic gaston leroux
the phantom of the opera
beauty and the beast
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle gaston leroux
the phantom of the opera
beauty and the beast
Slavic languages. Baltic languages. Albanian languages
PG1-9665
M. Y. Lugovtsova
Influence of Novel by Gaston Leroux “The Phantom of the Opera” on Art in the 20th-21st Centuries
description The questions of reception of the literary text in the intertext of culture are considered. The analysis of the novel by Gaston Leroux “The Phantom of the Opera” is made from two positions. On the one hand, the novel draws on a rich tradition of existence in the literature of the archetypal dichotomy of “beauty and the beast,” which is found in the works of many authors from different countries. The author argues that “The Phantom of the Opera” by G. Leroux has a large-scale precedent base, the presence of which is confirmed by the more or less explicit markers of the presence of previously written texts in “The Phantom of the Opera.” For example, in the novel by G. Leroux there is undoubted presence of the following texts: “The Masque of the Red Death” by E. A. Poe, “Notre Dame Cathedral” by Victor Hugo, etc. On the other hand, the history of the influence of the novel by French writer on literature, cinema and theatre art of the 20th-21st centuries is examined. Lists of works based on the novel by G. Leroux “The Phantom of the Opera” is given. The characteristics of the artistic transformations of the novel in literature, theater, cinema of the 20th-21st centuries are analyzed. Actuality of work is determined by increased interest of modern literary studies to implementation of archetypal patterns in world literature, to the intertextual interaction in world literature, as well as to the issues of differentiation and interaction of classic and popular literature.
format article
author M. Y. Lugovtsova
author_facet M. Y. Lugovtsova
author_sort M. Y. Lugovtsova
title Influence of Novel by Gaston Leroux “The Phantom of the Opera” on Art in the 20th-21st Centuries
title_short Influence of Novel by Gaston Leroux “The Phantom of the Opera” on Art in the 20th-21st Centuries
title_full Influence of Novel by Gaston Leroux “The Phantom of the Opera” on Art in the 20th-21st Centuries
title_fullStr Influence of Novel by Gaston Leroux “The Phantom of the Opera” on Art in the 20th-21st Centuries
title_full_unstemmed Influence of Novel by Gaston Leroux “The Phantom of the Opera” on Art in the 20th-21st Centuries
title_sort influence of novel by gaston leroux “the phantom of the opera” on art in the 20th-21st centuries
publisher Tsentr nauchnykh i obrazovatelnykh proektov
publishDate 2017
url https://doaj.org/article/5fc1a5080e2f4396806fa44371511634
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