Bodily Transformations as a Sign of Personal Identity Loss of Heroes of World Literature Works of Second Half of XX — early XXI Centuries

The question of the self-identity crisis of the heroes of literary works at the turn of the century is considered. Particular attention is paid to the bodily transformations of characters as a sign of the loss of personal identity. The relevance of the study is due to the need to fill the existing l...

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Autores principales: A. I. Matvienko, G. A. Solopina
Formato: article
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Publicado: Tsentr nauchnykh i obrazovatelnykh proektov 2021
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spelling oai:doaj.org-article:5fec51f53f574bc3a15a0fc69204bc662021-12-02T07:58:16ZBodily Transformations as a Sign of Personal Identity Loss of Heroes of World Literature Works of Second Half of XX — early XXI Centuries2225-756X2227-129510.24224/2227-1295-2021-11-254-269https://doaj.org/article/5fec51f53f574bc3a15a0fc69204bc662021-12-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/3391https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The question of the self-identity crisis of the heroes of literary works at the turn of the century is considered. Particular attention is paid to the bodily transformations of characters as a sign of the loss of personal identity. The relevance of the study is due to the need to fill the existing lacunes in modern literary criticism on the problem of bodily metamorphosis, considered in the designated context. The novelty of the research is seen in the fact that previously unexplored works of art by individual writers are analyzed. The authors offer an analysis of the most representative novels of the second half of the 20th — early 21st centuries: “The Last Dream of Reason” by D. Lipskerov, “Second Body” by M. Pavich, “Box Man” and “Alien Face” by Kobo Abe. An analysis of works through the prism of V. Podoroga’s phenomenological theory of corporeality is presented in the paper; special attention is paid to the concepts of “body without skin” and “body outside the norm”. The idea of physicality and identity of J. Baudrillard is also reflected in the work. It is proved that in the novels there are several ways of bodily modifications: moving to another body or object, changes in the functions of internal organs, fusion with an object, which is interpreted by the authors as a sign of the loss and fruitless search for the personal identity of the heroes.A. I. MatvienkoG. A. SolopinaTsentr nauchnykh i obrazovatelnykh proektovarticlecorporalitytransformationidentityd. lipskerovm. pavichkobo abeSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 11, Pp 254-269 (2021)
institution DOAJ
collection DOAJ
language RU
topic corporality
transformation
identity
d. lipskerov
m. pavich
kobo abe
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle corporality
transformation
identity
d. lipskerov
m. pavich
kobo abe
Slavic languages. Baltic languages. Albanian languages
PG1-9665
A. I. Matvienko
G. A. Solopina
Bodily Transformations as a Sign of Personal Identity Loss of Heroes of World Literature Works of Second Half of XX — early XXI Centuries
description The question of the self-identity crisis of the heroes of literary works at the turn of the century is considered. Particular attention is paid to the bodily transformations of characters as a sign of the loss of personal identity. The relevance of the study is due to the need to fill the existing lacunes in modern literary criticism on the problem of bodily metamorphosis, considered in the designated context. The novelty of the research is seen in the fact that previously unexplored works of art by individual writers are analyzed. The authors offer an analysis of the most representative novels of the second half of the 20th — early 21st centuries: “The Last Dream of Reason” by D. Lipskerov, “Second Body” by M. Pavich, “Box Man” and “Alien Face” by Kobo Abe. An analysis of works through the prism of V. Podoroga’s phenomenological theory of corporeality is presented in the paper; special attention is paid to the concepts of “body without skin” and “body outside the norm”. The idea of physicality and identity of J. Baudrillard is also reflected in the work. It is proved that in the novels there are several ways of bodily modifications: moving to another body or object, changes in the functions of internal organs, fusion with an object, which is interpreted by the authors as a sign of the loss and fruitless search for the personal identity of the heroes.
format article
author A. I. Matvienko
G. A. Solopina
author_facet A. I. Matvienko
G. A. Solopina
author_sort A. I. Matvienko
title Bodily Transformations as a Sign of Personal Identity Loss of Heroes of World Literature Works of Second Half of XX — early XXI Centuries
title_short Bodily Transformations as a Sign of Personal Identity Loss of Heroes of World Literature Works of Second Half of XX — early XXI Centuries
title_full Bodily Transformations as a Sign of Personal Identity Loss of Heroes of World Literature Works of Second Half of XX — early XXI Centuries
title_fullStr Bodily Transformations as a Sign of Personal Identity Loss of Heroes of World Literature Works of Second Half of XX — early XXI Centuries
title_full_unstemmed Bodily Transformations as a Sign of Personal Identity Loss of Heroes of World Literature Works of Second Half of XX — early XXI Centuries
title_sort bodily transformations as a sign of personal identity loss of heroes of world literature works of second half of xx — early xxi centuries
publisher Tsentr nauchnykh i obrazovatelnykh proektov
publishDate 2021
url https://doaj.org/article/5fec51f53f574bc3a15a0fc69204bc66
work_keys_str_mv AT aimatvienko bodilytransformationsasasignofpersonalidentitylossofheroesofworldliteratureworksofsecondhalfofxxearlyxxicenturies
AT gasolopina bodilytransformationsasasignofpersonalidentitylossofheroesofworldliteratureworksofsecondhalfofxxearlyxxicenturies
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