Phosphorescences rimbaldiennes : l’œuvre de Rimbaud en allemand, espagnol, grec, italien, et japonais
This article is both a presentation of the dossier dedicated to the German, Spanish, Greek and Japanese translations of Arthur Rimbaud’s work and an analysis of some case-studies of Italian translations of the same work: I will consider translations by Ivos Margoni (Feltrinelli 1964), Gian Piero Bon...
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| Formato: | article |
| Lenguaje: | FR |
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Seminario di filologia francese
2021
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| Acceso en línea: | https://doaj.org/article/602bf00b96ac41faa28e3255a3f266a4 |
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| Sumario: | This article is both a presentation of the dossier dedicated to the German, Spanish, Greek and Japanese translations of Arthur Rimbaud’s work and an analysis of some case-studies of Italian translations of the same work: I will consider translations by Ivos Margoni (Feltrinelli 1964), Gian Piero Bona (Einaudi 1990) and my own (Marsilio 2019) and will focus on Rimbaud’s “anti-poetic” language, on the rhythmic choices of the translators, on the maintenance of orality, on the appropriateness of retaining the rhyme system, and on the deviations from the linguistic norm. |
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