Phosphorescences rimbaldiennes : l’œuvre de Rimbaud en allemand, espagnol, grec, italien, et japonais
This article is both a presentation of the dossier dedicated to the German, Spanish, Greek and Japanese translations of Arthur Rimbaud’s work and an analysis of some case-studies of Italian translations of the same work: I will consider translations by Ivos Margoni (Feltrinelli 1964), Gian Piero Bon...
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Seminario di filologia francese
2021
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oai:doaj.org-article:602bf00b96ac41faa28e3255a3f266a42021-12-02T10:08:43ZPhosphorescences rimbaldiennes : l’œuvre de Rimbaud en allemand, espagnol, grec, italien, et japonais2240-745610.4000/rief.7255https://doaj.org/article/602bf00b96ac41faa28e3255a3f266a42021-11-01T00:00:00Zhttp://journals.openedition.org/rief/7255https://doaj.org/toc/2240-7456This article is both a presentation of the dossier dedicated to the German, Spanish, Greek and Japanese translations of Arthur Rimbaud’s work and an analysis of some case-studies of Italian translations of the same work: I will consider translations by Ivos Margoni (Feltrinelli 1964), Gian Piero Bona (Einaudi 1990) and my own (Marsilio 2019) and will focus on Rimbaud’s “anti-poetic” language, on the rhythmic choices of the translators, on the maintenance of orality, on the appropriateness of retaining the rhyme system, and on the deviations from the linguistic norm.Ornella TajaniSeminario di filologia francesearticleRimbaud (Arthur)translationMeschonnic (Henri)rhythmoralityFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999FRRevue Italienne d'Etudes Françaises, Vol 11 (2021) |
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Rimbaud (Arthur) translation Meschonnic (Henri) rhythm orality French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
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Rimbaud (Arthur) translation Meschonnic (Henri) rhythm orality French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Ornella Tajani Phosphorescences rimbaldiennes : l’œuvre de Rimbaud en allemand, espagnol, grec, italien, et japonais |
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This article is both a presentation of the dossier dedicated to the German, Spanish, Greek and Japanese translations of Arthur Rimbaud’s work and an analysis of some case-studies of Italian translations of the same work: I will consider translations by Ivos Margoni (Feltrinelli 1964), Gian Piero Bona (Einaudi 1990) and my own (Marsilio 2019) and will focus on Rimbaud’s “anti-poetic” language, on the rhythmic choices of the translators, on the maintenance of orality, on the appropriateness of retaining the rhyme system, and on the deviations from the linguistic norm. |
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article |
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Ornella Tajani |
author_facet |
Ornella Tajani |
author_sort |
Ornella Tajani |
title |
Phosphorescences rimbaldiennes : l’œuvre de Rimbaud en allemand, espagnol, grec, italien, et japonais |
title_short |
Phosphorescences rimbaldiennes : l’œuvre de Rimbaud en allemand, espagnol, grec, italien, et japonais |
title_full |
Phosphorescences rimbaldiennes : l’œuvre de Rimbaud en allemand, espagnol, grec, italien, et japonais |
title_fullStr |
Phosphorescences rimbaldiennes : l’œuvre de Rimbaud en allemand, espagnol, grec, italien, et japonais |
title_full_unstemmed |
Phosphorescences rimbaldiennes : l’œuvre de Rimbaud en allemand, espagnol, grec, italien, et japonais |
title_sort |
phosphorescences rimbaldiennes : l’œuvre de rimbaud en allemand, espagnol, grec, italien, et japonais |
publisher |
Seminario di filologia francese |
publishDate |
2021 |
url |
https://doaj.org/article/602bf00b96ac41faa28e3255a3f266a4 |
work_keys_str_mv |
AT ornellatajani phosphorescencesrimbaldienneslœuvrederimbaudenallemandespagnolgrecitalienetjaponais |
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1718397582087028736 |