La part de la fiction. A propos de quelques documentaires argentins
This paper describes the argentinian documentary production since the beginning of XXIth centuy, insisting on some hybrid films. The usual differences between fiction and documentary are questionned by three kinds of films. The first one is about a special kind of portraits, made on some men leaving...
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Presses Universitaires du Mirail
2009
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oai:doaj.org-article:6074fd4ba2bf45b0b37a739b005bfe2c2021-12-02T10:09:19ZLa part de la fiction. A propos de quelques documentaires argentins1147-67532272-982810.4000/caravelle.9899https://doaj.org/article/6074fd4ba2bf45b0b37a739b005bfe2c2009-06-01T00:00:00Zhttp://journals.openedition.org/caravelle/9899https://doaj.org/toc/1147-6753https://doaj.org/toc/2272-9828This paper describes the argentinian documentary production since the beginning of XXIth centuy, insisting on some hybrid films. The usual differences between fiction and documentary are questionned by three kinds of films. The first one is about a special kind of portraits, made on some men leaving in margins of the great city, those presented in F. León’s & M. Martínez’s Estrellas (2007), P. Trapero’s Naikor (2001), and U. Rossel’s Bonanza (2001). The second one is self personnal story assumed by two missing’s sons : A. Carri’s Los rubios (2003), and N. Prividera’s M (2007). The last one is about two artists on their diary work, Ricardo Longhini’s in Espejo para cuando me pruebe un smoking, by A. Fernández Mouján (2005), and Edgardo Cozarinsky’s, in Meykinof, by C. Guarini (2005).Joaquín ManziPresses Universitaires du MirailarticledocumentairefictionArgentinecrisegenres cinématographiquesLatin America. Spanish AmericaF1201-3799French literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999Social SciencesHESFRPTCaravelle, Vol 92, Pp 13-37 (2009) |
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documentaire fiction Argentine crise genres cinématographiques Latin America. Spanish America F1201-3799 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Social Sciences H |
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documentaire fiction Argentine crise genres cinématographiques Latin America. Spanish America F1201-3799 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Social Sciences H Joaquín Manzi La part de la fiction. A propos de quelques documentaires argentins |
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This paper describes the argentinian documentary production since the beginning of XXIth centuy, insisting on some hybrid films. The usual differences between fiction and documentary are questionned by three kinds of films. The first one is about a special kind of portraits, made on some men leaving in margins of the great city, those presented in F. León’s & M. Martínez’s Estrellas (2007), P. Trapero’s Naikor (2001), and U. Rossel’s Bonanza (2001). The second one is self personnal story assumed by two missing’s sons : A. Carri’s Los rubios (2003), and N. Prividera’s M (2007). The last one is about two artists on their diary work, Ricardo Longhini’s in Espejo para cuando me pruebe un smoking, by A. Fernández Mouján (2005), and Edgardo Cozarinsky’s, in Meykinof, by C. Guarini (2005). |
format |
article |
author |
Joaquín Manzi |
author_facet |
Joaquín Manzi |
author_sort |
Joaquín Manzi |
title |
La part de la fiction. A propos de quelques documentaires argentins |
title_short |
La part de la fiction. A propos de quelques documentaires argentins |
title_full |
La part de la fiction. A propos de quelques documentaires argentins |
title_fullStr |
La part de la fiction. A propos de quelques documentaires argentins |
title_full_unstemmed |
La part de la fiction. A propos de quelques documentaires argentins |
title_sort |
la part de la fiction. a propos de quelques documentaires argentins |
publisher |
Presses Universitaires du Mirail |
publishDate |
2009 |
url |
https://doaj.org/article/6074fd4ba2bf45b0b37a739b005bfe2c |
work_keys_str_mv |
AT joaquinmanzi lapartdelafictionaproposdequelquesdocumentairesargentins |
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1718397582286258176 |