La part de la fiction. A propos de quelques documentaires argentins

This paper describes the argentinian documentary production since the beginning of XXIth centuy, insisting on some hybrid films. The usual differences between fiction and documentary are questionned by three kinds of films. The first one is about a special kind of portraits, made on some men leaving...

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Autor principal: Joaquín Manzi
Formato: article
Lenguaje:ES
FR
PT
Publicado: Presses Universitaires du Mirail 2009
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Acceso en línea:https://doaj.org/article/6074fd4ba2bf45b0b37a739b005bfe2c
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spelling oai:doaj.org-article:6074fd4ba2bf45b0b37a739b005bfe2c2021-12-02T10:09:19ZLa part de la fiction. A propos de quelques documentaires argentins1147-67532272-982810.4000/caravelle.9899https://doaj.org/article/6074fd4ba2bf45b0b37a739b005bfe2c2009-06-01T00:00:00Zhttp://journals.openedition.org/caravelle/9899https://doaj.org/toc/1147-6753https://doaj.org/toc/2272-9828This paper describes the argentinian documentary production since the beginning of XXIth centuy, insisting on some hybrid films. The usual differences between fiction and documentary are questionned by three kinds of films. The first one is about a special kind of portraits, made on some men leaving in margins of the great city, those presented in F. León’s & M. Martínez’s Estrellas (2007), P. Trapero’s Naikor (2001), and U. Rossel’s Bonanza (2001). The second one is self personnal story assumed by two missing’s sons : A. Carri’s Los rubios (2003), and N. Prividera’s M (2007). The last one is about two artists on their diary work, Ricardo Longhini’s in Espejo para cuando me pruebe un smoking, by A. Fernández Mouján (2005), and Edgardo Cozarinsky’s, in Meykinof, by C. Guarini (2005).Joaquín ManziPresses Universitaires du MirailarticledocumentairefictionArgentinecrisegenres cinématographiquesLatin America. Spanish AmericaF1201-3799French literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999Social SciencesHESFRPTCaravelle, Vol 92, Pp 13-37 (2009)
institution DOAJ
collection DOAJ
language ES
FR
PT
topic documentaire
fiction
Argentine
crise
genres cinématographiques
Latin America. Spanish America
F1201-3799
French literature - Italian literature - Spanish literature - Portuguese literature
PQ1-3999
Social Sciences
H
spellingShingle documentaire
fiction
Argentine
crise
genres cinématographiques
Latin America. Spanish America
F1201-3799
French literature - Italian literature - Spanish literature - Portuguese literature
PQ1-3999
Social Sciences
H
Joaquín Manzi
La part de la fiction. A propos de quelques documentaires argentins
description This paper describes the argentinian documentary production since the beginning of XXIth centuy, insisting on some hybrid films. The usual differences between fiction and documentary are questionned by three kinds of films. The first one is about a special kind of portraits, made on some men leaving in margins of the great city, those presented in F. León’s & M. Martínez’s Estrellas (2007), P. Trapero’s Naikor (2001), and U. Rossel’s Bonanza (2001). The second one is self personnal story assumed by two missing’s sons : A. Carri’s Los rubios (2003), and N. Prividera’s M (2007). The last one is about two artists on their diary work, Ricardo Longhini’s in Espejo para cuando me pruebe un smoking, by A. Fernández Mouján (2005), and Edgardo Cozarinsky’s, in Meykinof, by C. Guarini (2005).
format article
author Joaquín Manzi
author_facet Joaquín Manzi
author_sort Joaquín Manzi
title La part de la fiction. A propos de quelques documentaires argentins
title_short La part de la fiction. A propos de quelques documentaires argentins
title_full La part de la fiction. A propos de quelques documentaires argentins
title_fullStr La part de la fiction. A propos de quelques documentaires argentins
title_full_unstemmed La part de la fiction. A propos de quelques documentaires argentins
title_sort la part de la fiction. a propos de quelques documentaires argentins
publisher Presses Universitaires du Mirail
publishDate 2009
url https://doaj.org/article/6074fd4ba2bf45b0b37a739b005bfe2c
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