A escrita comovida de João Anzanello Carrascoza

The impassible narration, which, in its indifference, emulates the brutality of the episodesit describes, is an essential feature of the most noted Brazilian fictions of the 1990s. The attention devoted to this mimetic realism, whichrelies on shock as the best strategy for anun mediated apprehension...

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Autor principal:	Miguel Conde
Formato:	article
Lenguaje:	ES PT
Publicado:	Universidade de Brasília 2009
Materias:	commotion kitsch sublime real joão anzanello carrascoza French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
Acceso en línea:	https://doaj.org/article/60b01f4616c84c5f95b227a8a2500ff1
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id	oai:doaj.org-article:60b01f4616c84c5f95b227a8a2500ff1
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spelling	oai:doaj.org-article:60b01f4616c84c5f95b227a8a2500ff12021-11-11T15:52:06ZA escrita comovida de João Anzanello Carrascoza1518-01582316-4018https://doaj.org/article/60b01f4616c84c5f95b227a8a2500ff12009-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323127098010https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018The impassible narration, which, in its indifference, emulates the brutality of the episodesit describes, is an essential feature of the most noted Brazilian fictions of the 1990s. The attention devoted to this mimetic realism, whichrelies on shock as the best strategy for anun mediated apprehension of the real, creates a context in which commotion is perceived as naive or suspicious. The reception to the short stories of João Anzanello Carrascoza, which have been described as borderline between sublime and kitsch, exemplifies that. A carefulr eading of his stories, however, shows that in them commotion derives not from a denial of reality,but instead from the recognitionof that which, in the real,is truly inevitable and "idiot", as formulated by Clément Rosset.Miguel CondeUniversidade de Brasíliaarticlecommotionkitschsublimerealjoão anzanello carrascozaFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 34, Pp 223-232 (2009)
institution	DOAJ
collection	DOAJ
language	ES PT
topic	commotion kitsch sublime real joão anzanello carrascoza French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
spellingShingle	commotion kitsch sublime real joão anzanello carrascoza French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Miguel Conde A escrita comovida de João Anzanello Carrascoza
description	The impassible narration, which, in its indifference, emulates the brutality of the episodesit describes, is an essential feature of the most noted Brazilian fictions of the 1990s. The attention devoted to this mimetic realism, whichrelies on shock as the best strategy for anun mediated apprehension of the real, creates a context in which commotion is perceived as naive or suspicious. The reception to the short stories of João Anzanello Carrascoza, which have been described as borderline between sublime and kitsch, exemplifies that. A carefulr eading of his stories, however, shows that in them commotion derives not from a denial of reality,but instead from the recognitionof that which, in the real,is truly inevitable and "idiot", as formulated by Clément Rosset.
format	article
author	Miguel Conde
author_facet	Miguel Conde
author_sort	Miguel Conde
title	A escrita comovida de João Anzanello Carrascoza
title_short	A escrita comovida de João Anzanello Carrascoza
title_full	A escrita comovida de João Anzanello Carrascoza
title_fullStr	A escrita comovida de João Anzanello Carrascoza
title_full_unstemmed	A escrita comovida de João Anzanello Carrascoza
title_sort	escrita comovida de joão anzanello carrascoza
publisher	Universidade de Brasília
publishDate	2009
url	https://doaj.org/article/60b01f4616c84c5f95b227a8a2500ff1
work_keys_str_mv	AT miguelconde aescritacomovidadejoaoanzanellocarrascoza AT miguelconde escritacomovidadejoaoanzanellocarrascoza
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A escrita comovida de João Anzanello Carrascoza

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