Capos, reinas y santos – la narcocultura en México

In this paper we try to approach what is commonly known as narcoculture from the point of view of three different aspects; on the one hand, we will scrutinize the narcocorrido from its intrinsic and social meaning, the identification keys based on the exaltation of the life of the capos with this co...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autores principales:	Günther Maihold, Rosa María Sauter de Maihold
Formato:	article
Lenguaje:	EN ES
Publicado:	Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings 2013
Materias:	capos counterculture imaginary narcoculture reinas santos Language and Literature P
Acceso en línea:	https://doaj.org/article/60b04f3d52c447b69f531e44c00585e3
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:60b04f3d52c447b69f531e44c00585e3
record_format	dspace
spelling	oai:doaj.org-article:60b04f3d52c447b69f531e44c00585e32021-11-29T12:29:44ZCapos, reinas y santos – la narcocultura en México10.23692/imex.3.62193-9756https://doaj.org/article/60b04f3d52c447b69f531e44c00585e32013-01-01T00:00:00Zhttps://www.imex-revista.com/narcocultura-en-mexico/https://doaj.org/toc/2193-9756In this paper we try to approach what is commonly known as narcoculture from the point of view of three different aspects; on the one hand, we will scrutinize the narcocorrido from its intrinsic and social meaning, the identification keys based on the exaltation of the life of the capos with this counterculture and the government strategies to prevent its dissemination, in the hope of curbing the communication strategies of organized crime. A second aspect to be dealt with is the role of women as reinas and capos in this business and their irruption in the collective imaginary thanks to soap operas. Finally, the devotion to the narcosantos, Malverde and San Nazario will be addressed. It will be possible to reach the conclusion that narcoculture is an expression of the popular and counterculture in the face of modernity, since it is a product of the land, of compadrazgo, of loyalty and is attached to religion. At the same time, it is a product of capitalist modernity because it is the popular fulfillment of the dream of consumerism and freedom. Narcoculture also represents the idea of postmodernity because life culminates in the moment. We believe it is an exaggeration to assert that the narco culture has replaced the corn culture, but the power of rootedness and attraction that emanates from it should not be underestimated.Günther MaiholdRosa María Sauter de MaiholdProf. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido RingsarticlecaposcountercultureimaginarynarcoculturereinassantosLanguage and LiteraturePENESiMex. México Interdisciplinario/Interdisciplinary Mexico, Vol 2, Iss 3, Pp 64-96 (2013)
institution	DOAJ
collection	DOAJ
language	EN ES
topic	capos counterculture imaginary narcoculture reinas santos Language and Literature P
spellingShingle	capos counterculture imaginary narcoculture reinas santos Language and Literature P Günther Maihold Rosa María Sauter de Maihold Capos, reinas y santos – la narcocultura en México
description	In this paper we try to approach what is commonly known as narcoculture from the point of view of three different aspects; on the one hand, we will scrutinize the narcocorrido from its intrinsic and social meaning, the identification keys based on the exaltation of the life of the capos with this counterculture and the government strategies to prevent its dissemination, in the hope of curbing the communication strategies of organized crime. A second aspect to be dealt with is the role of women as reinas and capos in this business and their irruption in the collective imaginary thanks to soap operas. Finally, the devotion to the narcosantos, Malverde and San Nazario will be addressed. It will be possible to reach the conclusion that narcoculture is an expression of the popular and counterculture in the face of modernity, since it is a product of the land, of compadrazgo, of loyalty and is attached to religion. At the same time, it is a product of capitalist modernity because it is the popular fulfillment of the dream of consumerism and freedom. Narcoculture also represents the idea of postmodernity because life culminates in the moment. We believe it is an exaggeration to assert that the narco culture has replaced the corn culture, but the power of rootedness and attraction that emanates from it should not be underestimated.
format	article
author	Günther Maihold Rosa María Sauter de Maihold
author_facet	Günther Maihold Rosa María Sauter de Maihold
author_sort	Günther Maihold
title	Capos, reinas y santos – la narcocultura en México
title_short	Capos, reinas y santos – la narcocultura en México
title_full	Capos, reinas y santos – la narcocultura en México
title_fullStr	Capos, reinas y santos – la narcocultura en México
title_full_unstemmed	Capos, reinas y santos – la narcocultura en México
title_sort	capos, reinas y santos – la narcocultura en méxico
publisher	Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings
publishDate	2013
url	https://doaj.org/article/60b04f3d52c447b69f531e44c00585e3
work_keys_str_mv	AT gunthermaihold caposreinasysantoslanarcoculturaenmexico AT rosamariasauterdemaihold caposreinasysantoslanarcoculturaenmexico
_version_	1718407402263412736

Capos, reinas y santos – la narcocultura en México

Ejemplares similares