Mer-Hagography: The Erasure, Return and Resonance of Splash’s Older Mermaid

The 1984 feature film Splash initially included a scene featuring an embittered, older mermaid (referred to as the “Merhag” or “Sea-Hag” by the production team) that was deleted before the final version premiered. Since that excision, the older mermaid and the scene she appeared in have been recreat...

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Autor principal: Philip Hayward
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Lenguaje:EN
Publicado: Lodz University Press 2021
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Acceso en línea:https://doaj.org/article/611dbe1a10e34f3e8e15e44b651c21de
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spelling oai:doaj.org-article:611dbe1a10e34f3e8e15e44b651c21de2021-12-01T06:51:57ZMer-Hagography: The Erasure, Return and Resonance of Splash’s Older Mermaid2083-29312084-574X10.18778/2083-2931.11.10https://doaj.org/article/611dbe1a10e34f3e8e15e44b651c21de2021-11-01T00:00:00Zhttps://czasopisma.uni.lodz.pl/textmatters/article/view/11264https://doaj.org/toc/2083-2931https://doaj.org/toc/2084-574XThe 1984 feature film Splash initially included a scene featuring an embittered, older mermaid (referred to as the “Merhag” or “Sea-Hag” by the production team) that was deleted before the final version premiered. Since that excision, the older mermaid and the scene she appeared in have been recreated by fans and the mer/sea-hag has come to comprise a minor element in contemporary online culture. The term “Merhag,” in particular, has also spread beyond the film, being taken up in fantasy fiction and being used—allusively and often pejoratively—to describe notional and actual female characters. Drawing on Mary Daly’s 1978 exploration of supressed female experiences and perspectives, this essay first examines Splash and associated texts with regard to the general figure of the hag in western culture (and with regard to negative, ageist perceptions of the ageing female), before discussing the use of “Merhag” and “Sea-Hag” as allusive pejoratives and the manner in which their negative connotations have been countered.Philip HaywardLodz University Pressarticlemermaidsmerhagssea-hagshag-ographysplashLiterature (General)PN1-6790ENText Matters, Iss 11, Pp 139-156 (2021)
institution DOAJ
collection DOAJ
language EN
topic mermaids
merhags
sea-hags
hag-ography
splash
Literature (General)
PN1-6790
spellingShingle mermaids
merhags
sea-hags
hag-ography
splash
Literature (General)
PN1-6790
Philip Hayward
Mer-Hagography: The Erasure, Return and Resonance of Splash’s Older Mermaid
description The 1984 feature film Splash initially included a scene featuring an embittered, older mermaid (referred to as the “Merhag” or “Sea-Hag” by the production team) that was deleted before the final version premiered. Since that excision, the older mermaid and the scene she appeared in have been recreated by fans and the mer/sea-hag has come to comprise a minor element in contemporary online culture. The term “Merhag,” in particular, has also spread beyond the film, being taken up in fantasy fiction and being used—allusively and often pejoratively—to describe notional and actual female characters. Drawing on Mary Daly’s 1978 exploration of supressed female experiences and perspectives, this essay first examines Splash and associated texts with regard to the general figure of the hag in western culture (and with regard to negative, ageist perceptions of the ageing female), before discussing the use of “Merhag” and “Sea-Hag” as allusive pejoratives and the manner in which their negative connotations have been countered.
format article
author Philip Hayward
author_facet Philip Hayward
author_sort Philip Hayward
title Mer-Hagography: The Erasure, Return and Resonance of Splash’s Older Mermaid
title_short Mer-Hagography: The Erasure, Return and Resonance of Splash’s Older Mermaid
title_full Mer-Hagography: The Erasure, Return and Resonance of Splash’s Older Mermaid
title_fullStr Mer-Hagography: The Erasure, Return and Resonance of Splash’s Older Mermaid
title_full_unstemmed Mer-Hagography: The Erasure, Return and Resonance of Splash’s Older Mermaid
title_sort mer-hagography: the erasure, return and resonance of splash’s older mermaid
publisher Lodz University Press
publishDate 2021
url https://doaj.org/article/611dbe1a10e34f3e8e15e44b651c21de
work_keys_str_mv AT philiphayward merhagographytheerasurereturnandresonanceofsplashsoldermermaid
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