La Guerra de Malvinas en primera persona: Museo Miguel Ángel Boezzio (1998) de Federico León

The Malvinas War (1982) marks a before and after in the history of Argentina. 37 years after the war, formulating an organic historical reading is conflicting because –in keeping with the concepts of Agamben– it has never stopped happening. The theater is positioned in the post-war Argentina as a me...

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Autor principal:	Ricardo Dubatti
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2019
Materias:	representation memory comparative poetics epistemological metaphor postdictatorship Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/61e301c99c5a4f84bde8e2504c8f1d2e
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id	oai:doaj.org-article:61e301c99c5a4f84bde8e2504c8f1d2e
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spelling	oai:doaj.org-article:61e301c99c5a4f84bde8e2504c8f1d2e2021-12-02T10:34:52ZLa Guerra de Malvinas en primera persona: Museo Miguel Ángel Boezzio (1998) de Federico León1626-025210.4000/nuevomundo.76059https://doaj.org/article/61e301c99c5a4f84bde8e2504c8f1d2e2019-06-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/76059https://doaj.org/toc/1626-0252The Malvinas War (1982) marks a before and after in the history of Argentina. 37 years after the war, formulating an organic historical reading is conflicting because –in keeping with the concepts of Agamben– it has never stopped happening. The theater is positioned in the post-war Argentina as a memorialist construct, a valuable territory due to its potential to activate the works of memory. The case of the Museo Miguel Ángel Boezzio (1998) by Federico León (Buenos Aires, 1975), occupies a central space in our research. This is because it articulates theater, testimony, conference and museum from a critical perspective to build a particular representation of the war and its effects. The present article seeks to examine from the guidelines of Comparative Poetics in what ways Leon produces a stimulus device that aims to mobilize the viewer and allows not only revisit facts from the recent past, but also produce new thoughts about history.Ricardo DubattiCentre de Recherches sur les Mondes Américainsarticlerepresentationmemorycomparative poeticsepistemological metaphorpostdictatorshipAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2019)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	representation memory comparative poetics epistemological metaphor postdictatorship Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	representation memory comparative poetics epistemological metaphor postdictatorship Anthropology GN1-890 Latin America. Spanish America F1201-3799 Ricardo Dubatti La Guerra de Malvinas en primera persona: Museo Miguel Ángel Boezzio (1998) de Federico León
description	The Malvinas War (1982) marks a before and after in the history of Argentina. 37 years after the war, formulating an organic historical reading is conflicting because –in keeping with the concepts of Agamben– it has never stopped happening. The theater is positioned in the post-war Argentina as a memorialist construct, a valuable territory due to its potential to activate the works of memory. The case of the Museo Miguel Ángel Boezzio (1998) by Federico León (Buenos Aires, 1975), occupies a central space in our research. This is because it articulates theater, testimony, conference and museum from a critical perspective to build a particular representation of the war and its effects. The present article seeks to examine from the guidelines of Comparative Poetics in what ways Leon produces a stimulus device that aims to mobilize the viewer and allows not only revisit facts from the recent past, but also produce new thoughts about history.
format	article
author	Ricardo Dubatti
author_facet	Ricardo Dubatti
author_sort	Ricardo Dubatti
title	La Guerra de Malvinas en primera persona: Museo Miguel Ángel Boezzio (1998) de Federico León
title_short	La Guerra de Malvinas en primera persona: Museo Miguel Ángel Boezzio (1998) de Federico León
title_full	La Guerra de Malvinas en primera persona: Museo Miguel Ángel Boezzio (1998) de Federico León
title_fullStr	La Guerra de Malvinas en primera persona: Museo Miguel Ángel Boezzio (1998) de Federico León
title_full_unstemmed	La Guerra de Malvinas en primera persona: Museo Miguel Ángel Boezzio (1998) de Federico León
title_sort	la guerra de malvinas en primera persona: museo miguel ángel boezzio (1998) de federico león
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2019
url	https://doaj.org/article/61e301c99c5a4f84bde8e2504c8f1d2e
work_keys_str_mv	AT ricardodubatti laguerrademalvinasenprimerapersonamuseomiguelangelboezzio1998defedericoleon
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La Guerra de Malvinas en primera persona: Museo Miguel Ángel Boezzio (1998) de Federico León

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