Dickinson’s Prosodic Music: Subtlety and Exuberance

This essay explores Dickinson’s prosodic music by evidencing its expressions of subtlety and exuberance. The essay unfolds in four steps. The first step finds the poet’s prosodic music in distinctive word arrangements with these three features: interlaced phonic echoes, the rhythms of short-lined v...

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Autor principal: Jefferey Simons
Formato: article
Lenguaje:EN
Publicado: Universidad de Valladolid 2021
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spelling oai:doaj.org-article:62496a6668554d4ba00467a8bf42a7032021-11-11T12:48:22ZDickinson’s Prosodic Music: Subtlety and Exuberance10.24197/ersjes.42.2021.37-542531-16462531-1654https://doaj.org/article/62496a6668554d4ba00467a8bf42a7032021-11-01T00:00:00Zhttp://revistas.uva.es/index.php/esreview/article/view/5614https://doaj.org/toc/2531-1646https://doaj.org/toc/2531-1654 This essay explores Dickinson’s prosodic music by evidencing its expressions of subtlety and exuberance. The essay unfolds in four steps. The first step finds the poet’s prosodic music in distinctive word arrangements with these three features: interlaced phonic echoes, the rhythms of short-lined verse where rhyme marks stanzas, and the motions of intonation. The second step instances Dickinson’s prosodic subtlety in one of her envelope poems, “A Pang is more conspicuous in Spring” (Fr1545B). The third step identifies Dickinson’s prosodic exuberance in two of her bee poems, “There is a flower that Bees prefer” (Fr642) and “I suppose the time will come” (Fr1389). In this step, we discern a hermeneutic key to Dickinson’s lyric art: when a sound in the world catches her ear, the poet’s prosodic music intensifies to reflect her enchantment. The essay’s last step applies the hermeneutic key to a superlative sound in Dickinson’s poetry, that of the wind in “Of all the Sounds despatched abroad” (Fr334). Jefferey SimonsUniversidad de ValladolidarticleDickinsonprosodysoundtextual scholarshiphermeneuticsEnglish languagePE1-3729English literaturePR1-9680ENES Review, Iss 42 (2021)
institution DOAJ
collection DOAJ
language EN
topic Dickinson
prosody
sound
textual scholarship
hermeneutics
English language
PE1-3729
English literature
PR1-9680
spellingShingle Dickinson
prosody
sound
textual scholarship
hermeneutics
English language
PE1-3729
English literature
PR1-9680
Jefferey Simons
Dickinson’s Prosodic Music: Subtlety and Exuberance
description This essay explores Dickinson’s prosodic music by evidencing its expressions of subtlety and exuberance. The essay unfolds in four steps. The first step finds the poet’s prosodic music in distinctive word arrangements with these three features: interlaced phonic echoes, the rhythms of short-lined verse where rhyme marks stanzas, and the motions of intonation. The second step instances Dickinson’s prosodic subtlety in one of her envelope poems, “A Pang is more conspicuous in Spring” (Fr1545B). The third step identifies Dickinson’s prosodic exuberance in two of her bee poems, “There is a flower that Bees prefer” (Fr642) and “I suppose the time will come” (Fr1389). In this step, we discern a hermeneutic key to Dickinson’s lyric art: when a sound in the world catches her ear, the poet’s prosodic music intensifies to reflect her enchantment. The essay’s last step applies the hermeneutic key to a superlative sound in Dickinson’s poetry, that of the wind in “Of all the Sounds despatched abroad” (Fr334).
format article
author Jefferey Simons
author_facet Jefferey Simons
author_sort Jefferey Simons
title Dickinson’s Prosodic Music: Subtlety and Exuberance
title_short Dickinson’s Prosodic Music: Subtlety and Exuberance
title_full Dickinson’s Prosodic Music: Subtlety and Exuberance
title_fullStr Dickinson’s Prosodic Music: Subtlety and Exuberance
title_full_unstemmed Dickinson’s Prosodic Music: Subtlety and Exuberance
title_sort dickinson’s prosodic music: subtlety and exuberance
publisher Universidad de Valladolid
publishDate 2021
url https://doaj.org/article/62496a6668554d4ba00467a8bf42a703
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