Symbols of Orthodox Calendar in A. Varlamov’s Works

The article considers the specifics of the Orthodox worldview reflection in the contemporary art. Attention is paid to the analysis of the ideological principle of the work through the representation of Christian chronometry. The novelty of the work is seen in the understanding of the symbols of the...

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Autor principal:	I. B. Avanesyan
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2018
Materias:	orthodoxy spirituality christian chronometry spiritual and moral evolution churching spiritual realism Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/63133da7096e49ae976f241886f1e400
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id	oai:doaj.org-article:63133da7096e49ae976f241886f1e400
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spelling	oai:doaj.org-article:63133da7096e49ae976f241886f1e4002021-12-02T07:58:04ZSymbols of Orthodox Calendar in A. Varlamov’s Works2225-756X2227-129510.24224/2227-1295-2018-7-104-113https://doaj.org/article/63133da7096e49ae976f241886f1e4002018-07-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/849https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article considers the specifics of the Orthodox worldview reflection in the contemporary art. Attention is paid to the analysis of the ideological principle of the work through the representation of Christian chronometry. The novelty of the work is seen in the understanding of the symbols of the Orthodox calendar on the material of modern Russian prose, as until today there is a tradition of analysis of this problem only on the example of writers of the 19th-20th centuries. The novelty of the work also lies in the consideration of A. Varlamov’s creativity not from the perspective of continuation of the traditions of realistic prose or postmodern understanding of reality, but from the point of realization of the author’s religious worldview and attempts to translate the Orthodox worldview in his work. Special attention is paid to the analysis of spiritual and moral evolution of A. Varlamov’s characters in the context of symbols of Easter and Christmas holidays. The relevance of the study is determined by the appeal to the problems of the moral principle in modern fiction and the possibility of reading it from the position of the spiritual potential typical to all Russian classics. The author comes to the conclusion that modern Russian literature cannot be considered as completely secularized, it reflects the traditions laid down by Russian classics (A. S. Pushkin, F. M. Dostoevsky), and traditions associated with the idea of spiritual salvation of man.I. B. AvanesyanTsentr nauchnykh i obrazovatelnykh proektovarticleorthodoxyspiritualitychristian chronometryspiritual and moral evolutionchurchingspiritual realismSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 7, Pp 104-113 (2018)
institution	DOAJ
collection	DOAJ
language	RU
topic	orthodoxy spirituality christian chronometry spiritual and moral evolution churching spiritual realism Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	orthodoxy spirituality christian chronometry spiritual and moral evolution churching spiritual realism Slavic languages. Baltic languages. Albanian languages PG1-9665 I. B. Avanesyan Symbols of Orthodox Calendar in A. Varlamov’s Works
description	The article considers the specifics of the Orthodox worldview reflection in the contemporary art. Attention is paid to the analysis of the ideological principle of the work through the representation of Christian chronometry. The novelty of the work is seen in the understanding of the symbols of the Orthodox calendar on the material of modern Russian prose, as until today there is a tradition of analysis of this problem only on the example of writers of the 19th-20th centuries. The novelty of the work also lies in the consideration of A. Varlamov’s creativity not from the perspective of continuation of the traditions of realistic prose or postmodern understanding of reality, but from the point of realization of the author’s religious worldview and attempts to translate the Orthodox worldview in his work. Special attention is paid to the analysis of spiritual and moral evolution of A. Varlamov’s characters in the context of symbols of Easter and Christmas holidays. The relevance of the study is determined by the appeal to the problems of the moral principle in modern fiction and the possibility of reading it from the position of the spiritual potential typical to all Russian classics. The author comes to the conclusion that modern Russian literature cannot be considered as completely secularized, it reflects the traditions laid down by Russian classics (A. S. Pushkin, F. M. Dostoevsky), and traditions associated with the idea of spiritual salvation of man.
format	article
author	I. B. Avanesyan
author_facet	I. B. Avanesyan
author_sort	I. B. Avanesyan
title	Symbols of Orthodox Calendar in A. Varlamov’s Works
title_short	Symbols of Orthodox Calendar in A. Varlamov’s Works
title_full	Symbols of Orthodox Calendar in A. Varlamov’s Works
title_fullStr	Symbols of Orthodox Calendar in A. Varlamov’s Works
title_full_unstemmed	Symbols of Orthodox Calendar in A. Varlamov’s Works
title_sort	symbols of orthodox calendar in a. varlamov’s works
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2018
url	https://doaj.org/article/63133da7096e49ae976f241886f1e400
work_keys_str_mv	AT ibavanesyan symbolsoforthodoxcalendarinavarlamovsworks
_version_	1718398985920577536

Symbols of Orthodox Calendar in A. Varlamov’s Works

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