Une architecture de cadres
Dani Karavan’s sculpture work for the Garden of Memories in Duisburg involves taking apart the existing buildings to maintain only their structure, which is painted in white. This process gives the structures an abstract quality, allowing them to be perceived as a three-dimensional framing of the en...
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Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
2011
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Acceso en línea: | https://doaj.org/article/6324963e1868461e994bd55a3fd1c7a7 |
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oai:doaj.org-article:6324963e1868461e994bd55a3fd1c7a72021-12-02T09:55:11ZUne architecture de cadres1969-612410.4000/paysage.21408https://doaj.org/article/6324963e1868461e994bd55a3fd1c7a72011-01-01T00:00:00Zhttp://journals.openedition.org/paysage/21408https://doaj.org/toc/1969-6124Dani Karavan’s sculpture work for the Garden of Memories in Duisburg involves taking apart the existing buildings to maintain only their structure, which is painted in white. This process gives the structures an abstract quality, allowing them to be perceived as a three-dimensional framing of the environment. The multiple frames create many images, producing the effect of a signifying “constellation,” in reference to Walter Benjamin. Karavan became familiar with Benjamin‘s philosophy, while creating a memorial in his honor in Portbou (Spain) in 1991-94. We will examine the foundations of this experience within the aesthetics of the 19th century as well as its contemporaneity, as a pathway for the construction of perceptions through multiple frames and images.Laurence KimmelAgrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP LillearticleDani KaravansculptureGarden of MemoriesframeWalter BenjaminSocial SciencesHFRProjets de Paysage, Vol 5 (2011) |
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Dani Karavan sculpture Garden of Memories frame Walter Benjamin Social Sciences H |
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Dani Karavan sculpture Garden of Memories frame Walter Benjamin Social Sciences H Laurence Kimmel Une architecture de cadres |
description |
Dani Karavan’s sculpture work for the Garden of Memories in Duisburg involves taking apart the existing buildings to maintain only their structure, which is painted in white. This process gives the structures an abstract quality, allowing them to be perceived as a three-dimensional framing of the environment. The multiple frames create many images, producing the effect of a signifying “constellation,” in reference to Walter Benjamin. Karavan became familiar with Benjamin‘s philosophy, while creating a memorial in his honor in Portbou (Spain) in 1991-94. We will examine the foundations of this experience within the aesthetics of the 19th century as well as its contemporaneity, as a pathway for the construction of perceptions through multiple frames and images. |
format |
article |
author |
Laurence Kimmel |
author_facet |
Laurence Kimmel |
author_sort |
Laurence Kimmel |
title |
Une architecture de cadres |
title_short |
Une architecture de cadres |
title_full |
Une architecture de cadres |
title_fullStr |
Une architecture de cadres |
title_full_unstemmed |
Une architecture de cadres |
title_sort |
une architecture de cadres |
publisher |
Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille |
publishDate |
2011 |
url |
https://doaj.org/article/6324963e1868461e994bd55a3fd1c7a7 |
work_keys_str_mv |
AT laurencekimmel unearchitecturedecadres |
_version_ |
1718397884948283392 |