“Napoleon Theme” in French Poetry of 1810-1840-ies: Attitudes, Genres, Motives

The works devoted to Napoleon I, as well as the works of French poetry, created in the era of Restoration and subsequent decades (up to the middle of the 19th century), which touched upon his personality, are considered. Along with the analysis of the image of the Emperor, special attention is paid...

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Autor principal:	V. I. Pinkovsky
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2018
Materias:	french poetry poetic genres of “napoleon theme” ode of praise philosophical ode sad elegy philippic Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/6341a5accbdf4ce1b364a461cbb715bc
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spelling	oai:doaj.org-article:6341a5accbdf4ce1b364a461cbb715bc2021-12-02T07:58:05Z“Napoleon Theme” in French Poetry of 1810-1840-ies: Attitudes, Genres, Motives2225-756X2227-129510.24224/2227-1295-2018-10-198-210https://doaj.org/article/6341a5accbdf4ce1b364a461cbb715bc2018-10-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/933https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The works devoted to Napoleon I, as well as the works of French poetry, created in the era of Restoration and subsequent decades (up to the middle of the 19th century), which touched upon his personality, are considered. Along with the analysis of the image of the Emperor, special attention is paid to the poetics of the “Napoleonic theme” texts which has not yet been studied within the boundaries of the declared theme. The author of the article pursues two goals: firstly, he observes and describes how French poetry coped with the task of free understanding of Napoleon I’s personality (in the Imperial era there was an ideological task in describing the Emperor), and secondly, he shows that the poetological parameters, regardless of the author’s aspirations, have a partial influence on the existing in the national consciousness ideas about the ruler of the First Empire. It is noted that a deliberate (ambivalent) assessment of the activities of Napoleon was carried out within the boundaries of elegiac-odic discourse, and the first of these elements was represented mainly by a sad elegy, and in the odic part the preference was given to such genre as philosophical ode. The most representative texts of the theme belonging both to the greatest poets of the era (Casimir Delavigne, Alphonse de Lamartine, Victor Hugo) and little-known poets, including anonymous ones, are presented.V. I. PinkovskyTsentr nauchnykh i obrazovatelnykh proektovarticlefrench poetrypoetic genres of “napoleon theme”ode of praisephilosophical odesad elegyphilippicSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 10, Pp 198-210 (2018)
institution	DOAJ
collection	DOAJ
language	RU
topic	french poetry poetic genres of “napoleon theme” ode of praise philosophical ode sad elegy philippic Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	french poetry poetic genres of “napoleon theme” ode of praise philosophical ode sad elegy philippic Slavic languages. Baltic languages. Albanian languages PG1-9665 V. I. Pinkovsky “Napoleon Theme” in French Poetry of 1810-1840-ies: Attitudes, Genres, Motives
description	The works devoted to Napoleon I, as well as the works of French poetry, created in the era of Restoration and subsequent decades (up to the middle of the 19th century), which touched upon his personality, are considered. Along with the analysis of the image of the Emperor, special attention is paid to the poetics of the “Napoleonic theme” texts which has not yet been studied within the boundaries of the declared theme. The author of the article pursues two goals: firstly, he observes and describes how French poetry coped with the task of free understanding of Napoleon I’s personality (in the Imperial era there was an ideological task in describing the Emperor), and secondly, he shows that the poetological parameters, regardless of the author’s aspirations, have a partial influence on the existing in the national consciousness ideas about the ruler of the First Empire. It is noted that a deliberate (ambivalent) assessment of the activities of Napoleon was carried out within the boundaries of elegiac-odic discourse, and the first of these elements was represented mainly by a sad elegy, and in the odic part the preference was given to such genre as philosophical ode. The most representative texts of the theme belonging both to the greatest poets of the era (Casimir Delavigne, Alphonse de Lamartine, Victor Hugo) and little-known poets, including anonymous ones, are presented.
format	article
author	V. I. Pinkovsky
author_facet	V. I. Pinkovsky
author_sort	V. I. Pinkovsky
title	“Napoleon Theme” in French Poetry of 1810-1840-ies: Attitudes, Genres, Motives
title_short	“Napoleon Theme” in French Poetry of 1810-1840-ies: Attitudes, Genres, Motives
title_full	“Napoleon Theme” in French Poetry of 1810-1840-ies: Attitudes, Genres, Motives
title_fullStr	“Napoleon Theme” in French Poetry of 1810-1840-ies: Attitudes, Genres, Motives
title_full_unstemmed	“Napoleon Theme” in French Poetry of 1810-1840-ies: Attitudes, Genres, Motives
title_sort	“napoleon theme” in french poetry of 1810-1840-ies: attitudes, genres, motives
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2018
url	https://doaj.org/article/6341a5accbdf4ce1b364a461cbb715bc
work_keys_str_mv	AT vipinkovsky napoleonthemeinfrenchpoetryof18101840iesattitudesgenresmotives
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“Napoleon Theme” in French Poetry of 1810-1840-ies: Attitudes, Genres, Motives

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