The Presence of the Past: History and Imagination in Uday Prakāśs’ Vāren hesṭiṅgs kā sāḍ̃

The paper aims at discussing the role and meaning of history in a Hindi short story by Uday Prakāś, Vāren hesṭiṅgs kā sā̃ḍ (“Warren Hastings’ Bull”, 1996). Based on the historical figure of Warren Hastings, this work of fiction intermingles fantasy and facts, imagination and history. Significantly,...

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Autor principal: Veronica Ghirardi
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Publicado: Ksiegarnia Akademicka Publishing 2021
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spelling oai:doaj.org-article:6371241802f141a9a7337aa1d063bd9a2021-11-27T12:53:07ZThe Presence of the Past: History and Imagination in Uday Prakāśs’ Vāren hesṭiṅgs kā sāḍ̃10.12797/CIS.23.2021.01.021732-09172449-8696https://doaj.org/article/6371241802f141a9a7337aa1d063bd9a2021-09-01T00:00:00Zhttps://journals.akademicka.pl/cis/article/view/3844https://doaj.org/toc/1732-0917https://doaj.org/toc/2449-8696 The paper aims at discussing the role and meaning of history in a Hindi short story by Uday Prakāś, Vāren hesṭiṅgs kā sā̃ḍ (“Warren Hastings’ Bull”, 1996). Based on the historical figure of Warren Hastings, this work of fiction intermingles fantasy and facts, imagination and history. Significantly, Uday Prakāś warns his readers about this matter right at the beginning of the narrative: if readers look for history in his short story, they will be left “with a heap of sand in their hands”. This and similar statements immediately give rise to other crucial questions, i.e. what exactly is the history that the readers expect to find in the story? What are the strategies adopted by the author while addressing the subject of history? What is the role and meaning of the past in a postcolonial and progressively postmodern reality like that of India at the dawn of the new millennium? By focusing on some ‘dark areas’ of Warren Hastings’ private life, Uday Prakāś not only offers an unusual perspective from which to view the figure of the British Governor but also engages his readers in an explicit reflection on the meaning and the presence of the past in our own reality. A short story (kahanī), based on a two hundred-and-fifty-years old tale (kathā), becomes a powerful instrument for criticizing the anomalies of the contemporary world. Veronica GhirardiKsiegarnia Akademicka PublishingarticleHindi fictionhistoriographic metafictionpresentness of the pastUday PrakashUday PrakāśWarren HastingsIndo-Iranian languages and literaturePK1-9601Languages and literature of Eastern Asia, Africa, OceaniaPL1-8844ENCracow Indological Studies, Vol 23, Iss 1 (2021)
institution DOAJ
collection DOAJ
language EN
topic Hindi fiction
historiographic metafiction
presentness of the past
Uday Prakash
Uday Prakāś
Warren Hastings
Indo-Iranian languages and literature
PK1-9601
Languages and literature of Eastern Asia, Africa, Oceania
PL1-8844
spellingShingle Hindi fiction
historiographic metafiction
presentness of the past
Uday Prakash
Uday Prakāś
Warren Hastings
Indo-Iranian languages and literature
PK1-9601
Languages and literature of Eastern Asia, Africa, Oceania
PL1-8844
Veronica Ghirardi
The Presence of the Past: History and Imagination in Uday Prakāśs’ Vāren hesṭiṅgs kā sāḍ̃
description The paper aims at discussing the role and meaning of history in a Hindi short story by Uday Prakāś, Vāren hesṭiṅgs kā sā̃ḍ (“Warren Hastings’ Bull”, 1996). Based on the historical figure of Warren Hastings, this work of fiction intermingles fantasy and facts, imagination and history. Significantly, Uday Prakāś warns his readers about this matter right at the beginning of the narrative: if readers look for history in his short story, they will be left “with a heap of sand in their hands”. This and similar statements immediately give rise to other crucial questions, i.e. what exactly is the history that the readers expect to find in the story? What are the strategies adopted by the author while addressing the subject of history? What is the role and meaning of the past in a postcolonial and progressively postmodern reality like that of India at the dawn of the new millennium? By focusing on some ‘dark areas’ of Warren Hastings’ private life, Uday Prakāś not only offers an unusual perspective from which to view the figure of the British Governor but also engages his readers in an explicit reflection on the meaning and the presence of the past in our own reality. A short story (kahanī), based on a two hundred-and-fifty-years old tale (kathā), becomes a powerful instrument for criticizing the anomalies of the contemporary world.
format article
author Veronica Ghirardi
author_facet Veronica Ghirardi
author_sort Veronica Ghirardi
title The Presence of the Past: History and Imagination in Uday Prakāśs’ Vāren hesṭiṅgs kā sāḍ̃
title_short The Presence of the Past: History and Imagination in Uday Prakāśs’ Vāren hesṭiṅgs kā sāḍ̃
title_full The Presence of the Past: History and Imagination in Uday Prakāśs’ Vāren hesṭiṅgs kā sāḍ̃
title_fullStr The Presence of the Past: History and Imagination in Uday Prakāśs’ Vāren hesṭiṅgs kā sāḍ̃
title_full_unstemmed The Presence of the Past: History and Imagination in Uday Prakāśs’ Vāren hesṭiṅgs kā sāḍ̃
title_sort presence of the past: history and imagination in uday prakāśs’ vāren hesṭiṅgs kā sāḍ̃
publisher Ksiegarnia Akademicka Publishing
publishDate 2021
url https://doaj.org/article/6371241802f141a9a7337aa1d063bd9a
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