A STUDY ON THE OBJECTIVE NAMES OF PURE-ABSTRACT WORKS IN PIET MONDRIAN AND KAZIMIR MALEVICH SAMPLE

Piet Mondrian is a practitioner and defender of Neoplasticism. The works created by using black vertical-horizontal lines, white, yellow, red and blue rectangle areas, which stand on the surface in the name of real reality painting, carry pure abstract expression. However, the works of pure abstract...

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Autores principales:	Tolga ŞENOL, Mahpeyker YÖNSEL
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	p. mondrian k. malevich pure painting naming of works Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/63a4f23804c04856836f569d18317c77
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id	oai:doaj.org-article:63a4f23804c04856836f569d18317c77
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spelling	oai:doaj.org-article:63a4f23804c04856836f569d18317c772021-11-24T09:20:40ZA STUDY ON THE OBJECTIVE NAMES OF PURE-ABSTRACT WORKS IN PIET MONDRIAN AND KAZIMIR MALEVICH SAMPLE2148-416310.9761/JASSS7678https://doaj.org/article/63a4f23804c04856836f569d18317c772019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=865301118_20-%C3%96%C4%9Fr.%20G%C3%B6r.%20DR.%20Tolga%20%C5%9Eenol.pdf&key=28822https://doaj.org/toc/2148-4163Piet Mondrian is a practitioner and defender of Neoplasticism. The works created by using black vertical-horizontal lines, white, yellow, red and blue rectangle areas, which stand on the surface in the name of real reality painting, carry pure abstract expression. However, the works of pure abstract after the artist's migration to America have been defined with the names that meet objective expression or various melodies. Kazimir Malevich is the founder of the suprematist art movement. The works studied on the current frame, which is the most basic teaching of sensibility and destruction of the nature on the surface, are sometimes defined with the name and number of the stream and sometimes with the object expressions. Aim of the study; To give objective names to the abstract works of P. Mondrian and K. Malevich, the effect that the artist can create in the audience on behalf of perception of the work, and to analyze what they intend to do with these approaches. The sample of the work is; the examples of Mondrian and Malevich's works with objective names. As a means of collecting data, artifact review and literature search methods were used. As a result that Mondrian gave objective names to his pure works after his immigration to America and the names given by Malevich in the abstract works of objective names are irrelevant. Obtained findings are discussed in terms of the importance of the study. It is anticipated that this work, which was made in order to correctly understand the pure works of Piet Mondrian and Kazimir Malevich, will be presented as a source for art educators and students.Tolga ŞENOLMahpeyker YÖNSELFırat Universityarticlep. mondriank. malevichpure paintingnaming of worksSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 11, Iss 70, Pp 299-308 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	p. mondrian k. malevich pure painting naming of works Social Sciences H Social sciences (General) H1-99
spellingShingle	p. mondrian k. malevich pure painting naming of works Social Sciences H Social sciences (General) H1-99 Tolga ŞENOL Mahpeyker YÖNSEL A STUDY ON THE OBJECTIVE NAMES OF PURE-ABSTRACT WORKS IN PIET MONDRIAN AND KAZIMIR MALEVICH SAMPLE
description	Piet Mondrian is a practitioner and defender of Neoplasticism. The works created by using black vertical-horizontal lines, white, yellow, red and blue rectangle areas, which stand on the surface in the name of real reality painting, carry pure abstract expression. However, the works of pure abstract after the artist's migration to America have been defined with the names that meet objective expression or various melodies. Kazimir Malevich is the founder of the suprematist art movement. The works studied on the current frame, which is the most basic teaching of sensibility and destruction of the nature on the surface, are sometimes defined with the name and number of the stream and sometimes with the object expressions. Aim of the study; To give objective names to the abstract works of P. Mondrian and K. Malevich, the effect that the artist can create in the audience on behalf of perception of the work, and to analyze what they intend to do with these approaches. The sample of the work is; the examples of Mondrian and Malevich's works with objective names. As a means of collecting data, artifact review and literature search methods were used. As a result that Mondrian gave objective names to his pure works after his immigration to America and the names given by Malevich in the abstract works of objective names are irrelevant. Obtained findings are discussed in terms of the importance of the study. It is anticipated that this work, which was made in order to correctly understand the pure works of Piet Mondrian and Kazimir Malevich, will be presented as a source for art educators and students.
format	article
author	Tolga ŞENOL Mahpeyker YÖNSEL
author_facet	Tolga ŞENOL Mahpeyker YÖNSEL
author_sort	Tolga ŞENOL
title	A STUDY ON THE OBJECTIVE NAMES OF PURE-ABSTRACT WORKS IN PIET MONDRIAN AND KAZIMIR MALEVICH SAMPLE
title_short	A STUDY ON THE OBJECTIVE NAMES OF PURE-ABSTRACT WORKS IN PIET MONDRIAN AND KAZIMIR MALEVICH SAMPLE
title_full	A STUDY ON THE OBJECTIVE NAMES OF PURE-ABSTRACT WORKS IN PIET MONDRIAN AND KAZIMIR MALEVICH SAMPLE
title_fullStr	A STUDY ON THE OBJECTIVE NAMES OF PURE-ABSTRACT WORKS IN PIET MONDRIAN AND KAZIMIR MALEVICH SAMPLE
title_full_unstemmed	A STUDY ON THE OBJECTIVE NAMES OF PURE-ABSTRACT WORKS IN PIET MONDRIAN AND KAZIMIR MALEVICH SAMPLE
title_sort	study on the objective names of pure-abstract works in piet mondrian and kazimir malevich sample
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/63a4f23804c04856836f569d18317c77
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A STUDY ON THE OBJECTIVE NAMES OF PURE-ABSTRACT WORKS IN PIET MONDRIAN AND KAZIMIR MALEVICH SAMPLE

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