Reception of J. Austen’s creativity in Contemporary British Literature (Novel by Joe Baker “Longbourne”)
The experience of reception of creativity of J. Austen (1775—1817) in modern British literature is analyzed. The aim of the work was to identify the main directions and ideological and artistic functions of the deconstruction of pretext — the novel by J. Austen “Pride and Prejudice” (1813) — in the...
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Tsentr nauchnykh i obrazovatelnykh proektov
2021
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oai:doaj.org-article:65b5d56258744726bc069ef3d986f7492021-12-02T07:58:13ZReception of J. Austen’s creativity in Contemporary British Literature (Novel by Joe Baker “Longbourne”)2225-756X2227-129510.24224/2227-1295-2021-2-189-201https://doaj.org/article/65b5d56258744726bc069ef3d986f7492021-03-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/2434https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The experience of reception of creativity of J. Austen (1775—1817) in modern British literature is analyzed. The aim of the work was to identify the main directions and ideological and artistic functions of the deconstruction of pretext — the novel by J. Austen “Pride and Prejudice” (1813) — in the novel by Joe Baker (born in 1973) “Longbourne” (2013). It was revealed that the social, anti-colonial, anti-imperialist, anti-war, feminist components are the most significant in the deconstruction of pretext. For Baker, the main modes of rethinking the novel by J. Austen “Pride and Prejudice” become relevant in the modern social and cultural situation of revising the past and assessing the present in Britain, the problems of social contradictions, imperialism, colonialism and its consequences, the rights of women and minorities. It was concluded that in his artistic quest, Baker, although using the novel of the Regency era as a pretext, is moving closer to the neo-Victorian novel. It has been substantiated that it is advisable to clarify the definition of the “neo-Victorian novel of the younger generation” (the term by Y. S. Skorokhodko), designating works written in the pre-Victorian era, in particular, in the era of the Regency, as possible plot-forming pretexts, or to single out a new genre variety of British historiographic metanovel (L. Hutchen) — a Neo-Pre-Victorian novel.A. A. IluninaTsentr nauchnykh i obrazovatelnykh proektovarticlecontemporary british novelintertextualitypostcolonialismfeminismneo-victorian noveljane austenjoe bakerSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 2, Pp 189-201 (2021) |
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DOAJ |
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DOAJ |
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RU |
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contemporary british novel intertextuality postcolonialism feminism neo-victorian novel jane austen joe baker Slavic languages. Baltic languages. Albanian languages PG1-9665 |
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contemporary british novel intertextuality postcolonialism feminism neo-victorian novel jane austen joe baker Slavic languages. Baltic languages. Albanian languages PG1-9665 A. A. Ilunina Reception of J. Austen’s creativity in Contemporary British Literature (Novel by Joe Baker “Longbourne”) |
| description |
The experience of reception of creativity of J. Austen (1775—1817) in modern British literature is analyzed. The aim of the work was to identify the main directions and ideological and artistic functions of the deconstruction of pretext — the novel by J. Austen “Pride and Prejudice” (1813) — in the novel by Joe Baker (born in 1973) “Longbourne” (2013). It was revealed that the social, anti-colonial, anti-imperialist, anti-war, feminist components are the most significant in the deconstruction of pretext. For Baker, the main modes of rethinking the novel by J. Austen “Pride and Prejudice” become relevant in the modern social and cultural situation of revising the past and assessing the present in Britain, the problems of social contradictions, imperialism, colonialism and its consequences, the rights of women and minorities. It was concluded that in his artistic quest, Baker, although using the novel of the Regency era as a pretext, is moving closer to the neo-Victorian novel. It has been substantiated that it is advisable to clarify the definition of the “neo-Victorian novel of the younger generation” (the term by Y. S. Skorokhodko), designating works written in the pre-Victorian era, in particular, in the era of the Regency, as possible plot-forming pretexts, or to single out a new genre variety of British historiographic metanovel (L. Hutchen) — a Neo-Pre-Victorian novel. |
| format |
article |
| author |
A. A. Ilunina |
| author_facet |
A. A. Ilunina |
| author_sort |
A. A. Ilunina |
| title |
Reception of J. Austen’s creativity in Contemporary British Literature (Novel by Joe Baker “Longbourne”) |
| title_short |
Reception of J. Austen’s creativity in Contemporary British Literature (Novel by Joe Baker “Longbourne”) |
| title_full |
Reception of J. Austen’s creativity in Contemporary British Literature (Novel by Joe Baker “Longbourne”) |
| title_fullStr |
Reception of J. Austen’s creativity in Contemporary British Literature (Novel by Joe Baker “Longbourne”) |
| title_full_unstemmed |
Reception of J. Austen’s creativity in Contemporary British Literature (Novel by Joe Baker “Longbourne”) |
| title_sort |
reception of j. austen’s creativity in contemporary british literature (novel by joe baker “longbourne”) |
| publisher |
Tsentr nauchnykh i obrazovatelnykh proektov |
| publishDate |
2021 |
| url |
https://doaj.org/article/65b5d56258744726bc069ef3d986f749 |
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AT aailunina receptionofjaustenscreativityincontemporarybritishliteraturenovelbyjoebakerlongbourne |
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