Sustainability in the Design of an Itinerant Cultural Exhibition. Study of Two Alternatives

The sustainability improvement of museums and exhibitions is a recent concern for multiple organisations. The application of sustainability criteria is one of the most important strategies of innovation in design activities, products, and service systems. This study analyses the sustainability of tw...

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Autores principales: Natalia Muñoz-López, Anna Biedermann, José Luis Santolaya-Sáenz, José Ignacio Valero-Martín, Ana Serrano-Tierz
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Lenguaje:EN
Publicado: MDPI AG 2021
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Acceso en línea:https://doaj.org/article/65bcb8e2553f4a4c882cbab5e0a5c58d
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spelling oai:doaj.org-article:65bcb8e2553f4a4c882cbab5e0a5c58d2021-11-11T14:59:25ZSustainability in the Design of an Itinerant Cultural Exhibition. Study of Two Alternatives10.3390/app112198632076-3417https://doaj.org/article/65bcb8e2553f4a4c882cbab5e0a5c58d2021-10-01T00:00:00Zhttps://www.mdpi.com/2076-3417/11/21/9863https://doaj.org/toc/2076-3417The sustainability improvement of museums and exhibitions is a recent concern for multiple organisations. The application of sustainability criteria is one of the most important strategies of innovation in design activities, products, and service systems. This study analyses the sustainability of two alternatives to an itinerant cultural exhibition service. The exhibition travels to 12 destinations over 3 years and is within a space of 300 m<sup>2</sup>. In the first alternative, the contents are printed and exposed on a physical medium, and in the second, audiovisual media projects the contents on the walls. Life cycle sustainability assessment is applied to evaluate the impacts in the environmental dimension and the economic and social dimensions. The calculation of indicators, such as the greenhouse gas emissions, total costs, and working time, which are referred to each sustainability dimension, is conducted. A descriptive, comparative study was performed to identify the impact factors with a higher incidence. The results demonstrate that the audiovisual exhibition is more sustainable than the printed exhibition, with a difference of 8.7%, 7%, and 6.6% in GWP<sub>100</sub>, C<sub>E</sub>, and T<sub>W</sub> indicators, respectively.Natalia Muñoz-LópezAnna BiedermannJosé Luis Santolaya-SáenzJosé Ignacio Valero-MartínAna Serrano-TierzMDPI AGarticlesustainable designcultural servicesustainability indicatorsTechnologyTEngineering (General). Civil engineering (General)TA1-2040Biology (General)QH301-705.5PhysicsQC1-999ChemistryQD1-999ENApplied Sciences, Vol 11, Iss 9863, p 9863 (2021)
institution DOAJ
collection DOAJ
language EN
topic sustainable design
cultural service
sustainability indicators
Technology
T
Engineering (General). Civil engineering (General)
TA1-2040
Biology (General)
QH301-705.5
Physics
QC1-999
Chemistry
QD1-999
spellingShingle sustainable design
cultural service
sustainability indicators
Technology
T
Engineering (General). Civil engineering (General)
TA1-2040
Biology (General)
QH301-705.5
Physics
QC1-999
Chemistry
QD1-999
Natalia Muñoz-López
Anna Biedermann
José Luis Santolaya-Sáenz
José Ignacio Valero-Martín
Ana Serrano-Tierz
Sustainability in the Design of an Itinerant Cultural Exhibition. Study of Two Alternatives
description The sustainability improvement of museums and exhibitions is a recent concern for multiple organisations. The application of sustainability criteria is one of the most important strategies of innovation in design activities, products, and service systems. This study analyses the sustainability of two alternatives to an itinerant cultural exhibition service. The exhibition travels to 12 destinations over 3 years and is within a space of 300 m<sup>2</sup>. In the first alternative, the contents are printed and exposed on a physical medium, and in the second, audiovisual media projects the contents on the walls. Life cycle sustainability assessment is applied to evaluate the impacts in the environmental dimension and the economic and social dimensions. The calculation of indicators, such as the greenhouse gas emissions, total costs, and working time, which are referred to each sustainability dimension, is conducted. A descriptive, comparative study was performed to identify the impact factors with a higher incidence. The results demonstrate that the audiovisual exhibition is more sustainable than the printed exhibition, with a difference of 8.7%, 7%, and 6.6% in GWP<sub>100</sub>, C<sub>E</sub>, and T<sub>W</sub> indicators, respectively.
format article
author Natalia Muñoz-López
Anna Biedermann
José Luis Santolaya-Sáenz
José Ignacio Valero-Martín
Ana Serrano-Tierz
author_facet Natalia Muñoz-López
Anna Biedermann
José Luis Santolaya-Sáenz
José Ignacio Valero-Martín
Ana Serrano-Tierz
author_sort Natalia Muñoz-López
title Sustainability in the Design of an Itinerant Cultural Exhibition. Study of Two Alternatives
title_short Sustainability in the Design of an Itinerant Cultural Exhibition. Study of Two Alternatives
title_full Sustainability in the Design of an Itinerant Cultural Exhibition. Study of Two Alternatives
title_fullStr Sustainability in the Design of an Itinerant Cultural Exhibition. Study of Two Alternatives
title_full_unstemmed Sustainability in the Design of an Itinerant Cultural Exhibition. Study of Two Alternatives
title_sort sustainability in the design of an itinerant cultural exhibition. study of two alternatives
publisher MDPI AG
publishDate 2021
url https://doaj.org/article/65bcb8e2553f4a4c882cbab5e0a5c58d
work_keys_str_mv AT nataliamunozlopez sustainabilityinthedesignofanitinerantculturalexhibitionstudyoftwoalternatives
AT annabiedermann sustainabilityinthedesignofanitinerantculturalexhibitionstudyoftwoalternatives
AT joseluissantolayasaenz sustainabilityinthedesignofanitinerantculturalexhibitionstudyoftwoalternatives
AT joseignaciovaleromartin sustainabilityinthedesignofanitinerantculturalexhibitionstudyoftwoalternatives
AT anaserranotierz sustainabilityinthedesignofanitinerantculturalexhibitionstudyoftwoalternatives
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