ICONOGRAPHIC EXAMINATION OF EMIL NOLDE’S DEPICTION: “JESUS ON THE CROSS"

ICONOGRAPHIC EXAMINATION OF EMIL NOLDE’S DEPICTION: “JESUS ON THE CROSS"

An important member of Northern Germany artists, Emil Nolde has formed a unique style with his personal expressiveness. Originally from a region near the border of Germany and Denmak, he received art training in Munich and Paris, but abandoning all types of traditional mastery acquired, he formulate...

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Autor principal: Huriye ALTUNER
Formato: article
Lenguaje:DE
EN
FR
TR
Publicado: Fırat University 2019
Materias:
emil nolde
religious depictions
crucifixion
color
iconography
Social Sciences
H
Social sciences (General)
H1-99
Acceso en línea:https://doaj.org/article/65f79aa5a65743e796fdd5ab686b4569
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spelling oai:doaj.org-article:65f79aa5a65743e796fdd5ab686b45692021-11-24T09:21:06ZICONOGRAPHIC EXAMINATION OF EMIL NOLDE’S DEPICTION: “JESUS ON THE CROSS"2148-416310.9761/JASSS_532https://doaj.org/article/65f79aa5a65743e796fdd5ab686b45692019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=740730692_AltunerHuriye_S-155-178.pdf&key=26470https://doaj.org/toc/2148-4163An important member of Northern Germany artists, Emil Nolde has formed a unique style with his personal expressiveness. Originally from a region near the border of Germany and Denmak, he received art training in Munich and Paris, but abandoning all types of traditional mastery acquired, he formulated a plain painting technique which can be considered near primitive. In his works he used impassioned colours devoid of object, figures resembling masks and various symbols. With naive and puritan comprehension, he integrated life and art. He spent a significant portion of his life travelling various countries. This was caused by inHuriye ALTUNERFırat Universityarticleemil noldereligious depictionscrucifixioncoloriconographySocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 6, Iss 16, Pp 155-178 (2019)
institution DOAJ
collection DOAJ
language DE
EN
FR
TR
topic emil nolde
religious depictions
crucifixion
color
iconography
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle emil nolde
religious depictions
crucifixion
color
iconography
Social Sciences
H
Social sciences (General)
H1-99
Huriye ALTUNER
ICONOGRAPHIC EXAMINATION OF EMIL NOLDE’S DEPICTION: “JESUS ON THE CROSS"
description An important member of Northern Germany artists, Emil Nolde has formed a unique style with his personal expressiveness. Originally from a region near the border of Germany and Denmak, he received art training in Munich and Paris, but abandoning all types of traditional mastery acquired, he formulated a plain painting technique which can be considered near primitive. In his works he used impassioned colours devoid of object, figures resembling masks and various symbols. With naive and puritan comprehension, he integrated life and art. He spent a significant portion of his life travelling various countries. This was caused by in
format article
author Huriye ALTUNER
author_facet Huriye ALTUNER
author_sort Huriye ALTUNER
title ICONOGRAPHIC EXAMINATION OF EMIL NOLDE’S DEPICTION: “JESUS ON THE CROSS"
title_short ICONOGRAPHIC EXAMINATION OF EMIL NOLDE’S DEPICTION: “JESUS ON THE CROSS"
title_full ICONOGRAPHIC EXAMINATION OF EMIL NOLDE’S DEPICTION: “JESUS ON THE CROSS"
title_fullStr ICONOGRAPHIC EXAMINATION OF EMIL NOLDE’S DEPICTION: “JESUS ON THE CROSS"
title_full_unstemmed ICONOGRAPHIC EXAMINATION OF EMIL NOLDE’S DEPICTION: “JESUS ON THE CROSS"
title_sort iconographic examination of emil nolde’s depiction: “jesus on the cross"
publisher Fırat University
publishDate 2019
url https://doaj.org/article/65f79aa5a65743e796fdd5ab686b4569
work_keys_str_mv AT huriyealtuner iconographicexaminationofemilnoldesdepictionjesusonthecross
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