THE CONCEPT OF “THE CONCERT OF EUROPE” IN XX CENTURY BRITISH AND AMERICAN HISTORIOGRAPHY

The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not o...

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Autor principal:	E. V. Romanova
Formato:	article
Lenguaje:	EN RU
Publicado:	MGIMO University Press 2016
Materias:	concert of europe vienna system congress of vienna pentarchy congress system castlereagh metternich world order security regime english school historiography International relations JZ2-6530
Acceso en línea:	https://doaj.org/article/662bd59b812441d48363d0fcebc709e8
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id	oai:doaj.org-article:662bd59b812441d48363d0fcebc709e8
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spelling	oai:doaj.org-article:662bd59b812441d48363d0fcebc709e82021-11-23T14:51:01ZTHE CONCEPT OF “THE CONCERT OF EUROPE” IN XX CENTURY BRITISH AND AMERICAN HISTORIOGRAPHY2071-81602541-909910.24833/2071-8160-2016-1-46-7-17https://doaj.org/article/662bd59b812441d48363d0fcebc709e82016-02-01T00:00:00Zhttps://www.vestnik.mgimo.ru/jour/article/view/483https://doaj.org/toc/2071-8160https://doaj.org/toc/2541-9099The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation.E. V. RomanovaMGIMO University Pressarticleconcert of europevienna systemcongress of viennapentarchycongress systemcastlereaghmetternichworld ordersecurity regimeenglish schoolhistoriographyInternational relationsJZ2-6530ENRUVestnik MGIMO-Universiteta, Vol 0, Iss 1(46), Pp 7-17 (2016)
institution	DOAJ
collection	DOAJ
language	EN RU
topic	concert of europe vienna system congress of vienna pentarchy congress system castlereagh metternich world order security regime english school historiography International relations JZ2-6530
spellingShingle	concert of europe vienna system congress of vienna pentarchy congress system castlereagh metternich world order security regime english school historiography International relations JZ2-6530 E. V. Romanova THE CONCEPT OF “THE CONCERT OF EUROPE” IN XX CENTURY BRITISH AND AMERICAN HISTORIOGRAPHY
description	The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation.
format	article
author	E. V. Romanova
author_facet	E. V. Romanova
author_sort	E. V. Romanova
title	THE CONCEPT OF “THE CONCERT OF EUROPE” IN XX CENTURY BRITISH AND AMERICAN HISTORIOGRAPHY
title_short	THE CONCEPT OF “THE CONCERT OF EUROPE” IN XX CENTURY BRITISH AND AMERICAN HISTORIOGRAPHY
title_full	THE CONCEPT OF “THE CONCERT OF EUROPE” IN XX CENTURY BRITISH AND AMERICAN HISTORIOGRAPHY
title_fullStr	THE CONCEPT OF “THE CONCERT OF EUROPE” IN XX CENTURY BRITISH AND AMERICAN HISTORIOGRAPHY
title_full_unstemmed	THE CONCEPT OF “THE CONCERT OF EUROPE” IN XX CENTURY BRITISH AND AMERICAN HISTORIOGRAPHY
title_sort	concept of “the concert of europe” in xx century british and american historiography
publisher	MGIMO University Press
publishDate	2016
url	https://doaj.org/article/662bd59b812441d48363d0fcebc709e8
work_keys_str_mv	AT evromanova theconceptoftheconcertofeuropeinxxcenturybritishandamericanhistoriography AT evromanova conceptoftheconcertofeuropeinxxcenturybritishandamericanhistoriography
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THE CONCEPT OF “THE CONCERT OF EUROPE” IN XX CENTURY BRITISH AND AMERICAN HISTORIOGRAPHY

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