Nature Images in Novel by G. de Stael “Corinna, or Italy”

The artistic relationships of landscape space and national character in the novel by a French writer of the 19th century G. de Stael are examined. The research urgency is caused by the interest of representatives of different areas of the humanities, including literary critics, to the comparative st...

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Autor principal:	T. V. Nuzhnaya
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2017
Materias:	french literature romanticism g. de stael national character landscape space Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/6667100efb02481aa5ecf66e4306d2d8
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id	oai:doaj.org-article:6667100efb02481aa5ecf66e4306d2d8
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spelling	oai:doaj.org-article:6667100efb02481aa5ecf66e4306d2d82021-12-02T07:57:59ZNature Images in Novel by G. de Stael “Corinna, or Italy”2225-756X2227-129510.24224/2227-1295-2017-2-115-126https://doaj.org/article/6667100efb02481aa5ecf66e4306d2d82017-02-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/306https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The artistic relationships of landscape space and national character in the novel by a French writer of the 19th century G. de Stael are examined. The research urgency is caused by the interest of representatives of different areas of the humanities, including literary critics, to the comparative study of peoples in the context of the rapid development of intercultural communication. It is shown that nature as a whole as “the phenomenon of the poetic image” is of great interest from the point of view of analysis of its impact on the character and emotional state of the characters of the novel. Not less important role plays the analysis of specific natural images of Sun, Moon, Earth, Mountains, Water and Fire that are the deepest archetypes, rooted in the collective unconscious. The author comes to the conclusion that these archaic concepts are reinterpreted by the writer under the influence on the formation of national identity, character and habits of the individual, therefore, it becomes possible for the reader to understand the national mentality through the natural archetypes of the novel. It is shown that in the novel the author creates a verbal-based acceptance of “collateral characteristic of mood,” which will then be actively used in the cinema. It is noted that the functions of the landscape in the novel by the French writer would later become the example for the following generations of authors in the description of the southern Italian landscape.T. V. NuzhnayaTsentr nauchnykh i obrazovatelnykh proektovarticlefrench literatureromanticismg. de staelnational characterlandscape spaceSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 2, Pp 115-126 (2017)
institution	DOAJ
collection	DOAJ
language	RU
topic	french literature romanticism g. de stael national character landscape space Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	french literature romanticism g. de stael national character landscape space Slavic languages. Baltic languages. Albanian languages PG1-9665 T. V. Nuzhnaya Nature Images in Novel by G. de Stael “Corinna, or Italy”
description	The artistic relationships of landscape space and national character in the novel by a French writer of the 19th century G. de Stael are examined. The research urgency is caused by the interest of representatives of different areas of the humanities, including literary critics, to the comparative study of peoples in the context of the rapid development of intercultural communication. It is shown that nature as a whole as “the phenomenon of the poetic image” is of great interest from the point of view of analysis of its impact on the character and emotional state of the characters of the novel. Not less important role plays the analysis of specific natural images of Sun, Moon, Earth, Mountains, Water and Fire that are the deepest archetypes, rooted in the collective unconscious. The author comes to the conclusion that these archaic concepts are reinterpreted by the writer under the influence on the formation of national identity, character and habits of the individual, therefore, it becomes possible for the reader to understand the national mentality through the natural archetypes of the novel. It is shown that in the novel the author creates a verbal-based acceptance of “collateral characteristic of mood,” which will then be actively used in the cinema. It is noted that the functions of the landscape in the novel by the French writer would later become the example for the following generations of authors in the description of the southern Italian landscape.
format	article
author	T. V. Nuzhnaya
author_facet	T. V. Nuzhnaya
author_sort	T. V. Nuzhnaya
title	Nature Images in Novel by G. de Stael “Corinna, or Italy”
title_short	Nature Images in Novel by G. de Stael “Corinna, or Italy”
title_full	Nature Images in Novel by G. de Stael “Corinna, or Italy”
title_fullStr	Nature Images in Novel by G. de Stael “Corinna, or Italy”
title_full_unstemmed	Nature Images in Novel by G. de Stael “Corinna, or Italy”
title_sort	nature images in novel by g. de stael “corinna, or italy”
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2017
url	https://doaj.org/article/6667100efb02481aa5ecf66e4306d2d8
work_keys_str_mv	AT tvnuzhnaya natureimagesinnovelbygdestaelcorinnaoritaly
_version_	1718399046987546624

Nature Images in Novel by G. de Stael “Corinna, or Italy”

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