Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile
This paper proposes a comparative analysis of two French films about the Chilean coup d’état: The embassy (1973), by Chris Marker, and Dialogues of exiles (1975), by Raúl Ruiz. In both cases, closed spaces predominate, what collaborate to produce transnational filmic spaces. This choose has been mad...
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Centre de Recherches sur les Mondes Américains
2019
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oai:doaj.org-article:667af23e17fc44d589a42d0dae24b8d02021-12-02T10:35:18ZEspacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile1626-025210.4000/nuevomundo.76370https://doaj.org/article/667af23e17fc44d589a42d0dae24b8d02019-06-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/76370https://doaj.org/toc/1626-0252This paper proposes a comparative analysis of two French films about the Chilean coup d’état: The embassy (1973), by Chris Marker, and Dialogues of exiles (1975), by Raúl Ruiz. In both cases, closed spaces predominate, what collaborate to produce transnational filmic spaces. This choose has been made in a moment when French left has chosen to compete in the presidential election of 1974 by means of a great alliance, that is, adopting the same strategy already used by the Popular Unity in Chile. The conception of space, in both films, is an important element to articulate the speech. Marker and Ruiz represent isolated communities in consequence of the external repression (particularly in The embassy) or the fact of being a foreign (particularly in Dialogues of exiles). The option of using closed settings and indoor ambiences is convenient to think about the dictatorship, but it also indicates certain dilemmas of the left in this time. This paper aims to show how the exploration of space – settings or geographic spaces that appear in the films – is a strategy to analysis the coup d’état impact abroad Chileans borders.Carolina Amaral de AguiarCentre de Recherches sur les Mondes AméricainsarticleChileFranceexileRuiz (Raúl)Marker (Chris)AnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2019) |
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Chile France exile Ruiz (Raúl) Marker (Chris) Anthropology GN1-890 Latin America. Spanish America F1201-3799 |
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Chile France exile Ruiz (Raúl) Marker (Chris) Anthropology GN1-890 Latin America. Spanish America F1201-3799 Carolina Amaral de Aguiar Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile |
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This paper proposes a comparative analysis of two French films about the Chilean coup d’état: The embassy (1973), by Chris Marker, and Dialogues of exiles (1975), by Raúl Ruiz. In both cases, closed spaces predominate, what collaborate to produce transnational filmic spaces. This choose has been made in a moment when French left has chosen to compete in the presidential election of 1974 by means of a great alliance, that is, adopting the same strategy already used by the Popular Unity in Chile. The conception of space, in both films, is an important element to articulate the speech. Marker and Ruiz represent isolated communities in consequence of the external repression (particularly in The embassy) or the fact of being a foreign (particularly in Dialogues of exiles). The option of using closed settings and indoor ambiences is convenient to think about the dictatorship, but it also indicates certain dilemmas of the left in this time. This paper aims to show how the exploration of space – settings or geographic spaces that appear in the films – is a strategy to analysis the coup d’état impact abroad Chileans borders. |
format |
article |
author |
Carolina Amaral de Aguiar |
author_facet |
Carolina Amaral de Aguiar |
author_sort |
Carolina Amaral de Aguiar |
title |
Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile |
title_short |
Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile |
title_full |
Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile |
title_fullStr |
Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile |
title_full_unstemmed |
Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile |
title_sort |
espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de chile |
publisher |
Centre de Recherches sur les Mondes Américains |
publishDate |
2019 |
url |
https://doaj.org/article/667af23e17fc44d589a42d0dae24b8d0 |
work_keys_str_mv |
AT carolinaamaraldeaguiar espacioscerradostransnacionalesnarrativasdelaizquierdatraselgolpedechile |
_version_ |
1718396997427265536 |