Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile

This paper proposes a comparative analysis of two French films about the Chilean coup d’état: The embassy (1973), by Chris Marker, and Dialogues of exiles (1975), by Raúl Ruiz. In both cases, closed spaces predominate, what collaborate to produce transnational filmic spaces. This choose has been mad...

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Autor principal: Carolina Amaral de Aguiar
Formato: article
Lenguaje:EN
FR
PT
Publicado: Centre de Recherches sur les Mondes Américains 2019
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Acceso en línea:https://doaj.org/article/667af23e17fc44d589a42d0dae24b8d0
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spelling oai:doaj.org-article:667af23e17fc44d589a42d0dae24b8d02021-12-02T10:35:18ZEspacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile1626-025210.4000/nuevomundo.76370https://doaj.org/article/667af23e17fc44d589a42d0dae24b8d02019-06-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/76370https://doaj.org/toc/1626-0252This paper proposes a comparative analysis of two French films about the Chilean coup d’état: The embassy (1973), by Chris Marker, and Dialogues of exiles (1975), by Raúl Ruiz. In both cases, closed spaces predominate, what collaborate to produce transnational filmic spaces. This choose has been made in a moment when French left has chosen to compete in the presidential election of 1974 by means of a great alliance, that is, adopting the same strategy already used by the Popular Unity in Chile. The conception of space, in both films, is an important element to articulate the speech. Marker and Ruiz represent isolated communities in consequence of the external repression (particularly in The embassy) or the fact of being a foreign (particularly in Dialogues of exiles). The option of using closed settings and indoor ambiences is convenient to think about the dictatorship, but it also indicates certain dilemmas of the left in this time. This paper aims to show how the exploration of space – settings or geographic spaces that appear in the films – is a strategy to analysis the coup d’état impact abroad Chileans borders.Carolina Amaral de AguiarCentre de Recherches sur les Mondes AméricainsarticleChileFranceexileRuiz (Raúl)Marker (Chris)AnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2019)
institution DOAJ
collection DOAJ
language EN
FR
PT
topic Chile
France
exile
Ruiz (Raúl)
Marker (Chris)
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
spellingShingle Chile
France
exile
Ruiz (Raúl)
Marker (Chris)
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
Carolina Amaral de Aguiar
Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile
description This paper proposes a comparative analysis of two French films about the Chilean coup d’état: The embassy (1973), by Chris Marker, and Dialogues of exiles (1975), by Raúl Ruiz. In both cases, closed spaces predominate, what collaborate to produce transnational filmic spaces. This choose has been made in a moment when French left has chosen to compete in the presidential election of 1974 by means of a great alliance, that is, adopting the same strategy already used by the Popular Unity in Chile. The conception of space, in both films, is an important element to articulate the speech. Marker and Ruiz represent isolated communities in consequence of the external repression (particularly in The embassy) or the fact of being a foreign (particularly in Dialogues of exiles). The option of using closed settings and indoor ambiences is convenient to think about the dictatorship, but it also indicates certain dilemmas of the left in this time. This paper aims to show how the exploration of space – settings or geographic spaces that appear in the films – is a strategy to analysis the coup d’état impact abroad Chileans borders.
format article
author Carolina Amaral de Aguiar
author_facet Carolina Amaral de Aguiar
author_sort Carolina Amaral de Aguiar
title Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile
title_short Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile
title_full Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile
title_fullStr Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile
title_full_unstemmed Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile
title_sort espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de chile
publisher Centre de Recherches sur les Mondes Américains
publishDate 2019
url https://doaj.org/article/667af23e17fc44d589a42d0dae24b8d0
work_keys_str_mv AT carolinaamaraldeaguiar espacioscerradostransnacionalesnarrativasdelaizquierdatraselgolpedechile
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