Espacios cerrados transnacionales: narrativas de la izquierda tras el golpe de Chile
This paper proposes a comparative analysis of two French films about the Chilean coup d’état: The embassy (1973), by Chris Marker, and Dialogues of exiles (1975), by Raúl Ruiz. In both cases, closed spaces predominate, what collaborate to produce transnational filmic spaces. This choose has been mad...
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| Format: | article |
| Language: | EN FR PT |
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Centre de Recherches sur les Mondes Américains
2019
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| Online Access: | https://doaj.org/article/667af23e17fc44d589a42d0dae24b8d0 |
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