Gdy autorka staje się tłumaczką, a tłumaczka autorką
When an Author Becomes a Translator and a Translator Becomes an Author. Nicole Brossard’s Le désert mauve Translated by Susanne de Lotbinière-Harwood The article aims to describe the space of translation understood as a spacefor dialogue and mutual influence on the example of a novel by Nicole Br...
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| Formato: | article |
| Lenguaje: | EN FR PL |
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Ksiegarnia Akademicka Publishing
2021
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| Acceso en línea: | https://doaj.org/article/670444aa6b61429c99428ac360e5316d |
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| Sumario: | When an Author Becomes a Translator and a Translator Becomes an Author. Nicole Brossard’s Le désert mauve Translated by Susanne de Lotbinière-Harwood
The article aims to describe the space of translation understood as a spacefor dialogue and mutual influence on the example of a novel by Nicole Brossard, Quebec writer and feminist translator, entitled Le désert mauve (1987), and its English translation (Mauve Desert, 1990), by Susanne de Lotbinière-Harwood. The first part of Brossard’s novel was written by a fictional writer, while the second part is a translation of the first part, also in French. The “original” and its “translation” are separated by the description of a translation process by a fictional translator, showing primarily how the original is interpreted. Brossard’s novel is a literary illustration of a translation as a creative act that requires invasion to the original.The English translation of the novel by de Lotbinière-Harwood shows in practice the process of interpretation and invasion, as it is based on the idea of re-writing a literary text, so called “re-creation”, very present in the Canadian context.
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