TRACES OF MODERNIZATION IN TRADITIONAL INSTRUMENT ORCHESTRAS FROM ‘BALALAIKA ENSEMBLE’ TO ‘KEMENCHE QUINTET’ AND ‘GADULKA FAMILY’

The farther away a country from the center of modernization, the more it is observed to be committed to the concept of tradition and nation. In Turkey, the modern movement is a process which was developed in the Ottoman period and shaped with the republic. The last period of the Ottoman Empire, a l...

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Autor principal:	Gözde ÇOLAKOĞLU SARI
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2020
Materias:	orchestra of traditional instruments kemençe quintet gadulka family modernism westernization Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/67ef5d9c59a04ab8974108ee25665ad0
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id	oai:doaj.org-article:67ef5d9c59a04ab8974108ee25665ad0
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spelling	oai:doaj.org-article:67ef5d9c59a04ab8974108ee25665ad02021-11-24T09:20:36ZTRACES OF MODERNIZATION IN TRADITIONAL INSTRUMENT ORCHESTRAS FROM ‘BALALAIKA ENSEMBLE’ TO ‘KEMENCHE QUINTET’ AND ‘GADULKA FAMILY’2148-416310.29228/JASSS.40462https://doaj.org/article/67ef5d9c59a04ab8974108ee25665ad02020-05-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=3588d35a-e5a1-44f8-9f37-a20e77935649.pdf&key=40462https://doaj.org/toc/2148-4163The farther away a country from the center of modernization, the more it is observed to be committed to the concept of tradition and nation. In Turkey, the modern movement is a process which was developed in the Ottoman period and shaped with the republic. The last period of the Ottoman Empire, a lot of events, people and movements can be read together with modernism. Similarly Bulgaria, performances existed in a more special way together with history, folklore and socialist ideology, which are people's own image; folklore, history and musical instruments assumed the role of representing the national identity during the socialist period. In the countries with a similar modernization history within the decades, which can be considered close to each other, western searches were performed with traditional musical instruments, and new orchestral structures, where the traces of modernization can easily be identified, were established. 'Kemenche Quintet' of Arel (1880-1955), 'Balalaika Family' of Vasilievich Andreyev (1861-1918) and 'Gadulka Family' of Koutev (1903-1982) became the parts of the modernist movement which tried to materialize its own intellectuality within the enlightenment, rationalism and positivism. In this article, the past of the 'modern movement' will be discussed over traditional instruments, the mediator points between traditional and modern will be sought, the perception and traces of the 'westernization' and 'modernization' idea on traditional instruments will be evaluated over balalaika, kemenche and gadulka instrument families. Thus, the methods of literature review, classification, analysis and synthesis, which are specifically unique to history, will be used, sources of personal archives will be stated, and interviews will especially be evaluated. The discourses related to modernism and westernization will be read in line with the instrument families, and the phenomenon of westernization of societies, which can come 'together' in many aspects such as demographic, historical - geographical characteristics and social structure, will be investigated over the instrument families established as an alternative to the western orchestra.Gözde ÇOLAKOĞLU SARIFırat Universityarticleorchestra of traditional instrumentskemençe quintetgadulka familymodernismwesternizationSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 13, Iss 79, Pp 231-246 (2020)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	orchestra of traditional instruments kemençe quintet gadulka family modernism westernization Social Sciences H Social sciences (General) H1-99
spellingShingle	orchestra of traditional instruments kemençe quintet gadulka family modernism westernization Social Sciences H Social sciences (General) H1-99 Gözde ÇOLAKOĞLU SARI TRACES OF MODERNIZATION IN TRADITIONAL INSTRUMENT ORCHESTRAS FROM ‘BALALAIKA ENSEMBLE’ TO ‘KEMENCHE QUINTET’ AND ‘GADULKA FAMILY’
description	The farther away a country from the center of modernization, the more it is observed to be committed to the concept of tradition and nation. In Turkey, the modern movement is a process which was developed in the Ottoman period and shaped with the republic. The last period of the Ottoman Empire, a lot of events, people and movements can be read together with modernism. Similarly Bulgaria, performances existed in a more special way together with history, folklore and socialist ideology, which are people's own image; folklore, history and musical instruments assumed the role of representing the national identity during the socialist period. In the countries with a similar modernization history within the decades, which can be considered close to each other, western searches were performed with traditional musical instruments, and new orchestral structures, where the traces of modernization can easily be identified, were established. 'Kemenche Quintet' of Arel (1880-1955), 'Balalaika Family' of Vasilievich Andreyev (1861-1918) and 'Gadulka Family' of Koutev (1903-1982) became the parts of the modernist movement which tried to materialize its own intellectuality within the enlightenment, rationalism and positivism. In this article, the past of the 'modern movement' will be discussed over traditional instruments, the mediator points between traditional and modern will be sought, the perception and traces of the 'westernization' and 'modernization' idea on traditional instruments will be evaluated over balalaika, kemenche and gadulka instrument families. Thus, the methods of literature review, classification, analysis and synthesis, which are specifically unique to history, will be used, sources of personal archives will be stated, and interviews will especially be evaluated. The discourses related to modernism and westernization will be read in line with the instrument families, and the phenomenon of westernization of societies, which can come 'together' in many aspects such as demographic, historical - geographical characteristics and social structure, will be investigated over the instrument families established as an alternative to the western orchestra.
format	article
author	Gözde ÇOLAKOĞLU SARI
author_facet	Gözde ÇOLAKOĞLU SARI
author_sort	Gözde ÇOLAKOĞLU SARI
title	TRACES OF MODERNIZATION IN TRADITIONAL INSTRUMENT ORCHESTRAS FROM ‘BALALAIKA ENSEMBLE’ TO ‘KEMENCHE QUINTET’ AND ‘GADULKA FAMILY’
title_short	TRACES OF MODERNIZATION IN TRADITIONAL INSTRUMENT ORCHESTRAS FROM ‘BALALAIKA ENSEMBLE’ TO ‘KEMENCHE QUINTET’ AND ‘GADULKA FAMILY’
title_full	TRACES OF MODERNIZATION IN TRADITIONAL INSTRUMENT ORCHESTRAS FROM ‘BALALAIKA ENSEMBLE’ TO ‘KEMENCHE QUINTET’ AND ‘GADULKA FAMILY’
title_fullStr	TRACES OF MODERNIZATION IN TRADITIONAL INSTRUMENT ORCHESTRAS FROM ‘BALALAIKA ENSEMBLE’ TO ‘KEMENCHE QUINTET’ AND ‘GADULKA FAMILY’
title_full_unstemmed	TRACES OF MODERNIZATION IN TRADITIONAL INSTRUMENT ORCHESTRAS FROM ‘BALALAIKA ENSEMBLE’ TO ‘KEMENCHE QUINTET’ AND ‘GADULKA FAMILY’
title_sort	traces of modernization in traditional instrument orchestras from ‘balalaika ensemble’ to ‘kemenche quintet’ and ‘gadulka family’
publisher	Fırat University
publishDate	2020
url	https://doaj.org/article/67ef5d9c59a04ab8974108ee25665ad0
work_keys_str_mv	AT gozdecolakoglusari tracesofmodernizationintraditionalinstrumentorchestrasfrombalalaikaensembletokemenchequintetandgadulkafamily
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TRACES OF MODERNIZATION IN TRADITIONAL INSTRUMENT ORCHESTRAS FROM ‘BALALAIKA ENSEMBLE’ TO ‘KEMENCHE QUINTET’ AND ‘GADULKA FAMILY’

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