Blurring the Margins: Ardalén (2012) and Coleective Memory in Spain

The title of Miguelanxo Prado’s Ardalén is a word invented by its author, but which refers to a real phenomenon: a long-distance wind that carries the scent of salt and sea far inland from the coast. In the fictional tale, this sea breeze carries with it not just air and smells, but also stories, a...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Sarah Dibble Harris
Formato: article
Lenguaje:EN
ES
FR
IT
PT
Publicado: Universitat Autònoma de Barcelona 2017
Materias:
A
Acceso en línea:https://doaj.org/article/689f68f162f84adbae197a09be60c5bb
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
id oai:doaj.org-article:689f68f162f84adbae197a09be60c5bb
record_format dspace
spelling oai:doaj.org-article:689f68f162f84adbae197a09be60c5bb2021-11-26T12:44:33ZBlurring the Margins: Ardalén (2012) and Coleective Memory in Spain10.5565/rev/brumal.3812014-7910https://doaj.org/article/689f68f162f84adbae197a09be60c5bb2017-06-01T00:00:00Zhttps://revistes.uab.cat/brumal/article/view/381https://doaj.org/toc/2014-7910 The title of Miguelanxo Prado’s Ardalén is a word invented by its author, but which refers to a real phenomenon: a long-distance wind that carries the scent of salt and sea far inland from the coast. In the fictional tale, this sea breeze carries with it not just air and smells, but also stories, as well as living sea creatures. Appropriate to its title, this winner of the 2012 National Spanish Comics Prize blurs lines between the real and the imaginary, between self and other, between land and sea, and between life and death. Blurry margins exist metaphorically in the book’s story as well as visually in its images, both within its panels and in its gutters. Drawing on Anne Whitehead’s recent discussion of modes of inscription and collective memory, this article explores the representation of memory and the fantastic in Miguelanxo Prado’s 2012 graphic novel Ardalén, noting the strong implications of Ardalén’s main character’s incapacity to distinguish between what he lived and what he heard in the context of the Recovery of Historical Memory in Spain’s early 21st century. Sarah Dibble HarrisUniversitat Autònoma de BarcelonaarticleGeneral WorksAENESFRITPTBrumal: Revista de Investigación sobre lo Fantástico, Vol 5, Iss 1 (2017)
institution DOAJ
collection DOAJ
language EN
ES
FR
IT
PT
topic General Works
A
spellingShingle General Works
A
Sarah Dibble Harris
Blurring the Margins: Ardalén (2012) and Coleective Memory in Spain
description The title of Miguelanxo Prado’s Ardalén is a word invented by its author, but which refers to a real phenomenon: a long-distance wind that carries the scent of salt and sea far inland from the coast. In the fictional tale, this sea breeze carries with it not just air and smells, but also stories, as well as living sea creatures. Appropriate to its title, this winner of the 2012 National Spanish Comics Prize blurs lines between the real and the imaginary, between self and other, between land and sea, and between life and death. Blurry margins exist metaphorically in the book’s story as well as visually in its images, both within its panels and in its gutters. Drawing on Anne Whitehead’s recent discussion of modes of inscription and collective memory, this article explores the representation of memory and the fantastic in Miguelanxo Prado’s 2012 graphic novel Ardalén, noting the strong implications of Ardalén’s main character’s incapacity to distinguish between what he lived and what he heard in the context of the Recovery of Historical Memory in Spain’s early 21st century.
format article
author Sarah Dibble Harris
author_facet Sarah Dibble Harris
author_sort Sarah Dibble Harris
title Blurring the Margins: Ardalén (2012) and Coleective Memory in Spain
title_short Blurring the Margins: Ardalén (2012) and Coleective Memory in Spain
title_full Blurring the Margins: Ardalén (2012) and Coleective Memory in Spain
title_fullStr Blurring the Margins: Ardalén (2012) and Coleective Memory in Spain
title_full_unstemmed Blurring the Margins: Ardalén (2012) and Coleective Memory in Spain
title_sort blurring the margins: ardalén (2012) and coleective memory in spain
publisher Universitat Autònoma de Barcelona
publishDate 2017
url https://doaj.org/article/689f68f162f84adbae197a09be60c5bb
work_keys_str_mv AT sarahdibbleharris blurringthemarginsardalen2012andcoleectivememoryinspain
_version_ 1718409356180979712