Blurring the Margins: Ardalén (2012) and Coleective Memory in Spain
The title of Miguelanxo Prado’s Ardalén is a word invented by its author, but which refers to a real phenomenon: a long-distance wind that carries the scent of salt and sea far inland from the coast. In the fictional tale, this sea breeze carries with it not just air and smells, but also stories, a...
Saved in:
Main Author: | Sarah Dibble Harris |
---|---|
Format: | article |
Language: | EN ES FR IT PT |
Published: |
Universitat Autònoma de Barcelona
2017
|
Subjects: | |
Online Access: | https://doaj.org/article/689f68f162f84adbae197a09be60c5bb |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
In Memory of Herzen. On the Margins of the Magazine “Russkoye Bogatstvo”
by: Mikhail V. Stroganov
Published: (2020) -
Using a Blur Metric to Estimate Linear Motion Blur Parameters
by: Taiebeh Askari Javaran, et al.
Published: (2021) -
Antonio Lázaro-Reboll, Spanish horror film, Edinburgh, University Press Edinburg, 2012.
by: Rubén Sánchez
Published: (2013) -
Matteo De Beni, Lo fantástico en escena. Formas de lo imposible en el teatro español contemporáneo, Pontevedra, Academia del Hispanismo, 2012.
by: Teresa López Pellisa
Published: (2013) -
Blurred Boundaries and Novel Normativities
by: Michael E. Pregill
Published: (2021)