Die Natur der Musen: Loreley-Gedichte von Franz Josef Czernin, Ulla Hahn, Uwe Kolbe und Peter Rühmkorf
Loreley, a natural-born femme fatale from German mythology, has inspired poets since Romanticism. From a contemporary perspective, however, this character has simply lost her magical qualities and, at the same time, been transformed into a gatekeeper and an advocate for nature under threat in the An...
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| Formato: | article |
| Lenguaje: | DE EN |
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Universität Trier
2021
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| Acceso en línea: | https://doaj.org/article/697b1a0d5a6046c99518249d526c4e86 |
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| Sumario: | Loreley, a natural-born femme fatale from German mythology, has inspired poets since Romanticism. From a contemporary perspective, however, this character has simply lost her magical qualities and, at the same time, been transformed into a gatekeeper and an advocate for nature under threat in the Anthropocene. This article concerns the poetics surrounding Loreley – including the use of irony, role report, metamorphosis, and inspiration – in Franz Josef Czernin’s sonnet, „nach loreley“, Ulla Hahn’s „Ars poetica“ and „Meine Loreley“, Uwe Kolbe’s „Halle-Lureley“, and Peter Rühmkorf’s „Hochseil“. Loreley’s broken modernity does not only re veal her own abused nature. She is also promoted to a postmodern ‚Zudichterin‘ (Ernst Robert Curtius), reading the book of nature through semiotics rather than in terms of originality and creation. |
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