Drink Full and Descend: The Horror of Twin Peaks: The Return
Throughout the work of director and co-creator David Lynch images of horror recur, as the mundane and the ordinary becomes ominous and terrifying. The home and the self–central to feelings of safety and security–are destabilized in Lynch’s works, revealed as inherently unstable and subject to consta...
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New York City College of Technology
2020
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oai:doaj.org-article:69b4ed33e1734a55aba9f1becadcb06c2021-11-08T21:49:17ZDrink Full and Descend: The Horror of Twin Peaks: The Return2160-0104https://doaj.org/article/69b4ed33e1734a55aba9f1becadcb06c2020-02-01T00:00:00Zhttps://nanocrit.com/issues/issue15/Drink-Full-and-Descend-The-Horror-of-Twin-Peaks-The-Returnhttps://doaj.org/toc/2160-0104Throughout the work of director and co-creator David Lynch images of horror recur, as the mundane and the ordinary becomes ominous and terrifying. The home and the self–central to feelings of safety and security–are destabilized in Lynch’s works, revealed as inherently unstable and subject to constant change. The fragmented self destabilizes everything around it, reverberating throughout the home and even further still, destabilizing deep-rooted ideas about America’s sense of itself as a place of steadfast reason and righteous justice. This paper explores the use of horror in Twin Peaks: The Return, from its employment of common genre tropes to its engagement with deeper philosophical ideas about horror as something that goes deeper than just thrills and scares.Lindsay HallamNew York City College of Technologyarticletwin peaksdavid lynchhorrorterrornormsexistenceHistory of scholarship and learning. The humanitiesAZ20-999Language and LiteraturePLiterature (General)PN1-6790ENNANO, Iss 15 (2020) |
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twin peaks david lynch horror terror norms existence History of scholarship and learning. The humanities AZ20-999 Language and Literature P Literature (General) PN1-6790 |
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twin peaks david lynch horror terror norms existence History of scholarship and learning. The humanities AZ20-999 Language and Literature P Literature (General) PN1-6790 Lindsay Hallam Drink Full and Descend: The Horror of Twin Peaks: The Return |
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Throughout the work of director and co-creator David Lynch images of horror recur, as the mundane and the ordinary becomes ominous and terrifying. The home and the self–central to feelings of safety and security–are destabilized in Lynch’s works, revealed as inherently unstable and subject to constant change. The fragmented self destabilizes everything around it, reverberating throughout the home and even further still, destabilizing deep-rooted ideas about America’s sense of itself as a place of steadfast reason and righteous justice. This paper explores the use of horror in Twin Peaks: The Return, from its employment of common genre tropes to its engagement with deeper philosophical ideas about horror as something that goes deeper than just thrills and scares. |
format |
article |
author |
Lindsay Hallam |
author_facet |
Lindsay Hallam |
author_sort |
Lindsay Hallam |
title |
Drink Full and Descend: The Horror of Twin Peaks: The Return |
title_short |
Drink Full and Descend: The Horror of Twin Peaks: The Return |
title_full |
Drink Full and Descend: The Horror of Twin Peaks: The Return |
title_fullStr |
Drink Full and Descend: The Horror of Twin Peaks: The Return |
title_full_unstemmed |
Drink Full and Descend: The Horror of Twin Peaks: The Return |
title_sort |
drink full and descend: the horror of twin peaks: the return |
publisher |
New York City College of Technology |
publishDate |
2020 |
url |
https://doaj.org/article/69b4ed33e1734a55aba9f1becadcb06c |
work_keys_str_mv |
AT lindsayhallam drinkfullanddescendthehorroroftwinpeaksthereturn |
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