In search of the text generating structure: Jakobson’s theory of the poetic function of language
The classic work of Roman Jakobson,“The Newest Russian Poetry. Sketch One. Approaches to Khlebnikov”, is invariably referred to in the works on the history of structuralism, formalism and the history of the methodology of humanities. This article aims to address several questions: what are the epi...
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Immanuel Kant Baltic Federal University
2021
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oai:doaj.org-article:69cfaa4df8994512b2b164fcb44300ad2021-11-23T09:50:17ZIn search of the text generating structure: Jakobson’s theory of the poetic function of language10.5922/2225-5346-2021-3-12225-53462686-8989https://doaj.org/article/69cfaa4df8994512b2b164fcb44300ad2021-08-01T00:00:00Zhttps://journals.kantiana.ru/slovo/4913/30140/https://doaj.org/toc/2225-5346https://doaj.org/toc/2686-8989The classic work of Roman Jakobson,“The Newest Russian Poetry. Sketch One. Approaches to Khlebnikov”, is invariably referred to in the works on the history of structuralism, formalism and the history of the methodology of humanities. This article aims to address several questions: what are the epistemological attitudes of Jakobson and how are they implemented in his work? Can this 'disorganised' and 'sketchy' text be interpreted in context of the future attitudes of the scholar? The avant-garde literature of the early twentieth century not only created new methods of text generation but also required a new epistemological approach and a change in the receptive perspective. Jakobson's work is one of the first experiments in describing a new aesthetic phenomenon. Analysing language through shifts, Jakobson explores it in a structuralist way. In “The Newest Russian Poetry” the scholar summarises the ideas that became fundamental for him in the 1960s-1970s: the ideas of the teleological nature of poetry, a close connection between mental and language structures, and the relevance of the identification of text structure as a relatively stable set of relations for the analysis of sense-making and text generation. Exploring the concept of literariness, Jakobson reveals a system of universal and interlevel methods of generating poetic speech. These observations have not lost their relevance and can be applied to the analysis of both avant-garde and classical texts.Yulia A. GovorukhinaImmanuel Kant Baltic Federal Universityarticleroman jakobsontheory of poetic functionliterarinessgeneration of meaningtext generationstructurePhilology. LinguisticsP1-1091ENRUСлово.ру: балтийский акцент , Vol 12, Iss 3, Pp 8-16 (2021) |
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roman jakobson theory of poetic function literariness generation of meaning text generation structure Philology. Linguistics P1-1091 |
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roman jakobson theory of poetic function literariness generation of meaning text generation structure Philology. Linguistics P1-1091 Yulia A. Govorukhina In search of the text generating structure: Jakobson’s theory of the poetic function of language |
| description |
The classic work of Roman Jakobson,“The Newest Russian Poetry. Sketch One. Approaches to Khlebnikov”, is invariably referred to in the works on the history of structuralism, formalism and the history of the methodology of humanities. This article aims to address several questions: what are the epistemological attitudes of Jakobson and how are they implemented in his work? Can this 'disorganised' and 'sketchy' text be interpreted in context of the future attitudes of the scholar? The avant-garde literature of the early twentieth century not only created new methods of text generation but also required a new epistemological approach and a change in the receptive perspective. Jakobson's work is one of the first experiments in describing a new aesthetic phenomenon. Analysing language through shifts, Jakobson explores it in a structuralist way. In “The Newest Russian Poetry” the scholar summarises the ideas that became fundamental for him in the 1960s-1970s: the ideas of the teleological nature of poetry, a close connection between mental and language structures, and the relevance of the identification of text structure as a relatively stable set of relations for the analysis of sense-making and text generation. Exploring the concept of literariness, Jakobson reveals a system of universal and interlevel methods of generating poetic speech. These observations have not lost their relevance and can be applied to the analysis of both avant-garde and classical texts. |
| format |
article |
| author |
Yulia A. Govorukhina |
| author_facet |
Yulia A. Govorukhina |
| author_sort |
Yulia A. Govorukhina |
| title |
In search of the text generating structure: Jakobson’s theory of the poetic function of language |
| title_short |
In search of the text generating structure: Jakobson’s theory of the poetic function of language |
| title_full |
In search of the text generating structure: Jakobson’s theory of the poetic function of language |
| title_fullStr |
In search of the text generating structure: Jakobson’s theory of the poetic function of language |
| title_full_unstemmed |
In search of the text generating structure: Jakobson’s theory of the poetic function of language |
| title_sort |
in search of the text generating structure: jakobson’s theory of the poetic function of language |
| publisher |
Immanuel Kant Baltic Federal University |
| publishDate |
2021 |
| url |
https://doaj.org/article/69cfaa4df8994512b2b164fcb44300ad |
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AT yuliaagovorukhina insearchofthetextgeneratingstructurejakobsonstheoryofthepoeticfunctionoflanguage |
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