Autels en pierre des « lieux de Dieu » tsu’Ssi à Bansoa (Cameroun) : entre art des environnements sacrés et dépôts picturaux rituels

Overlooked in studies of stone structures in Cameroon, the Bansoa chiefdom in the center of the Bamileke plateau has revealed one of the largest concentrations of standing stones and cairns from the Grassland. It seems to be the reflection of the ancient foundation of a cultural practice perpetuated...

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Autores principales:	Narcisse Santores Tchandeu, Willy Valdès Kengné, Willy-Yannick Fokam Noulé
Formato:	article
Lenguaje:	EN FR
Publicado:	OpenEdition 2019
Materias:	megalith standing stones cairn pictorial deposits sacred environment Archaeology CC1-960 History of the arts NX440-632
Acceso en línea:	https://doaj.org/article/6a23f056fda34a529d39d4a541e09a18
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id	oai:doaj.org-article:6a23f056fda34a529d39d4a541e09a18
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spelling	oai:doaj.org-article:6a23f056fda34a529d39d4a541e09a182021-12-02T10:47:47ZAutels en pierre des « lieux de Dieu » tsu’Ssi à Bansoa (Cameroun) : entre art des environnements sacrés et dépôts picturaux rituels2431-204510.4000/aaa.2540https://doaj.org/article/6a23f056fda34a529d39d4a541e09a182019-12-01T00:00:00Zhttp://journals.openedition.org/aaa/2540https://doaj.org/toc/2431-2045Overlooked in studies of stone structures in Cameroon, the Bansoa chiefdom in the center of the Bamileke plateau has revealed one of the largest concentrations of standing stones and cairns from the Grassland. It seems to be the reflection of the ancient foundation of a cultural practice perpetuated by a dense population, at the origin of a systematic marking of the space through the multiplication of “places of God” tsu’Ssi, conservatory of the sacralized ecosystems. At the heart of this heritage is the mythical figure of kam’Ssi, a kind of priest whose ritual processions cover the stone altars with pictorial elements, both symbolic and sensory. This relationship of the object of study to an actual makes it possible to appreciate this one in all its components and in consideration of the general history of stone structures in the region.Narcisse Santores TchandeuWilly Valdès KengnéWilly-Yannick Fokam NouléOpenEditionarticlemegalithstanding stonescairnpictorial depositssacred environmentArchaeologyCC1-960History of the artsNX440-632ENFRAfrique Archéologie Arts, Vol 15, Pp 67-88 (2019)
institution	DOAJ
collection	DOAJ
language	EN FR
topic	megalith standing stones cairn pictorial deposits sacred environment Archaeology CC1-960 History of the arts NX440-632
spellingShingle	megalith standing stones cairn pictorial deposits sacred environment Archaeology CC1-960 History of the arts NX440-632 Narcisse Santores Tchandeu Willy Valdès Kengné Willy-Yannick Fokam Noulé Autels en pierre des « lieux de Dieu » tsu’Ssi à Bansoa (Cameroun) : entre art des environnements sacrés et dépôts picturaux rituels
description	Overlooked in studies of stone structures in Cameroon, the Bansoa chiefdom in the center of the Bamileke plateau has revealed one of the largest concentrations of standing stones and cairns from the Grassland. It seems to be the reflection of the ancient foundation of a cultural practice perpetuated by a dense population, at the origin of a systematic marking of the space through the multiplication of “places of God” tsu’Ssi, conservatory of the sacralized ecosystems. At the heart of this heritage is the mythical figure of kam’Ssi, a kind of priest whose ritual processions cover the stone altars with pictorial elements, both symbolic and sensory. This relationship of the object of study to an actual makes it possible to appreciate this one in all its components and in consideration of the general history of stone structures in the region.
format	article
author	Narcisse Santores Tchandeu Willy Valdès Kengné Willy-Yannick Fokam Noulé
author_facet	Narcisse Santores Tchandeu Willy Valdès Kengné Willy-Yannick Fokam Noulé
author_sort	Narcisse Santores Tchandeu
title	Autels en pierre des « lieux de Dieu » tsu’Ssi à Bansoa (Cameroun) : entre art des environnements sacrés et dépôts picturaux rituels
title_short	Autels en pierre des « lieux de Dieu » tsu’Ssi à Bansoa (Cameroun) : entre art des environnements sacrés et dépôts picturaux rituels
title_full	Autels en pierre des « lieux de Dieu » tsu’Ssi à Bansoa (Cameroun) : entre art des environnements sacrés et dépôts picturaux rituels
title_fullStr	Autels en pierre des « lieux de Dieu » tsu’Ssi à Bansoa (Cameroun) : entre art des environnements sacrés et dépôts picturaux rituels
title_full_unstemmed	Autels en pierre des « lieux de Dieu » tsu’Ssi à Bansoa (Cameroun) : entre art des environnements sacrés et dépôts picturaux rituels
title_sort	autels en pierre des « lieux de dieu » tsu’ssi à bansoa (cameroun) : entre art des environnements sacrés et dépôts picturaux rituels
publisher	OpenEdition
publishDate	2019
url	https://doaj.org/article/6a23f056fda34a529d39d4a541e09a18
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Autels en pierre des « lieux de Dieu » tsu’Ssi à Bansoa (Cameroun) : entre art des environnements sacrés et dépôts picturaux rituels

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