Art-for-Peace in Ambon: An Intersectional Reading
In the context of the focus on ‘everyday peacebuilding’, the field of peace and conflict is increasingly interested in the use of art as a tool for peacebuilding. Feminist contributions emphasise the important gender dimensions of art-for-peace processes, but so far intersectional dynamics have rece...
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| Autores principales: | , |
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| Formato: | article |
| Lenguaje: | EN FR |
| Publicado: |
Institut de Hautes Études Internationales et du Développement
2021
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/6a9b37b21c6b4f579918f5a127500959 |
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| Sumario: | In the context of the focus on ‘everyday peacebuilding’, the field of peace and conflict is increasingly interested in the use of art as a tool for peacebuilding. Feminist contributions emphasise the important gender dimensions of art-for-peace processes, but so far intersectional dynamics have received less attention. The aim of this chapter is to bring the interdisciplinary feminist literature into dialogue with insights on the intersectional dynamics of (everyday) peacebuilding and so propose a critical reading of the intersectional dynamics of art-for-peace initiatives. We focus on the context of Ambon in Indonesia to analyse one particularly prominent art-for-peace initiative: the Paparisa Ambon Bergerak (PAB) collective. Our analysis draws on a combination of data: visual and literature (poems) artwork produced by the PAB collective, in-depth expert interviews with PAB representatives and local peacebuilding activists, and secondary literature on PAB. Our analysis reveals the complex social power dynamics and individual and collective dimensions of art-for-peace activities. |
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