Discussion: The Concept of Authenticity in Collections of Open-Air Museums

How is it possible that if you go into an arts museum, the ceramics you see may be made yesterday and may be a valued and legitimate part of the museum collection, while in open-air museums, a similar object may be produced by a master craftsperson yesterday, yet is not called authentic? Are we blin...

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Autor principal:	For the authors see the article
Formato:	article
Lenguaje:	EN
Publicado:	EXARC 2021
Materias:	documentation newer era open-air museum methodology newest era Museums. Collectors and collecting AM1-501 Archaeology CC1-960
Acceso en línea:	https://doaj.org/article/6aa6514846714c8e96e63b794a894bf7
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id	oai:doaj.org-article:6aa6514846714c8e96e63b794a894bf7
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spelling	oai:doaj.org-article:6aa6514846714c8e96e63b794a894bf72021-12-01T14:42:35ZDiscussion: The Concept of Authenticity in Collections of Open-Air Museums2212-8956https://doaj.org/article/6aa6514846714c8e96e63b794a894bf72021-02-01T00:00:00Zhttps://exarc.net/ark:/88735/10551https://doaj.org/toc/2212-8956How is it possible that if you go into an arts museum, the ceramics you see may be made yesterday and may be a valued and legitimate part of the museum collection, while in open-air museums, a similar object may be produced by a master craftsperson yesterday, yet is not called authentic? Are we blinded by historical-archaeological authenticity? Is the key to documented objects, their stories and their provenance – which gives them their authenticity - not right? Well-structured documentation of stories with objects and people is, per se, an important step towards being regarded as open-air museums. This is an important part of our current EXARC EU Project, www.retold.eu.For the authors see the articleEXARCarticledocumentationnewer eraopen-air museummethodologynewest eraMuseums. Collectors and collectingAM1-501ArchaeologyCC1-960ENEXARC Journal, Iss 2021/1 (2021)
institution	DOAJ
collection	DOAJ
language	EN
topic	documentation newer era open-air museum methodology newest era Museums. Collectors and collecting AM1-501 Archaeology CC1-960
spellingShingle	documentation newer era open-air museum methodology newest era Museums. Collectors and collecting AM1-501 Archaeology CC1-960 For the authors see the article Discussion: The Concept of Authenticity in Collections of Open-Air Museums
description	How is it possible that if you go into an arts museum, the ceramics you see may be made yesterday and may be a valued and legitimate part of the museum collection, while in open-air museums, a similar object may be produced by a master craftsperson yesterday, yet is not called authentic? Are we blinded by historical-archaeological authenticity? Is the key to documented objects, their stories and their provenance – which gives them their authenticity - not right? Well-structured documentation of stories with objects and people is, per se, an important step towards being regarded as open-air museums. This is an important part of our current EXARC EU Project, www.retold.eu.
format	article
author	For the authors see the article
author_facet	For the authors see the article
author_sort	For the authors see the article
title	Discussion: The Concept of Authenticity in Collections of Open-Air Museums
title_short	Discussion: The Concept of Authenticity in Collections of Open-Air Museums
title_full	Discussion: The Concept of Authenticity in Collections of Open-Air Museums
title_fullStr	Discussion: The Concept of Authenticity in Collections of Open-Air Museums
title_full_unstemmed	Discussion: The Concept of Authenticity in Collections of Open-Air Museums
title_sort	discussion: the concept of authenticity in collections of open-air museums
publisher	EXARC
publishDate	2021
url	https://doaj.org/article/6aa6514846714c8e96e63b794a894bf7
work_keys_str_mv	AT fortheauthorsseethearticle discussiontheconceptofauthenticityincollectionsofopenairmuseums
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Discussion: The Concept of Authenticity in Collections of Open-Air Museums

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