Female Technology: The Identity of Neolithic Potters

If the object of research is Neolithic ceramics, it would seem that the researcher is at a loss when it comes to illuminating certain social aspects of the manufacture of pottery. In archaeological inquiry the artisan always remain “invisible”, even though their identities are crucial in the reconst...

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Autor principal: Jasna Vuković
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Publicado: University of Belgrade 2016
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Acceso en línea:https://doaj.org/article/6b92c2e3045c4291848a00aed38dbc66
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spelling oai:doaj.org-article:6b92c2e3045c4291848a00aed38dbc662021-12-02T00:17:50ZFemale Technology: The Identity of Neolithic Potters10.21301/eap.v8i1.140353-15892334-8801https://doaj.org/article/6b92c2e3045c4291848a00aed38dbc662016-02-01T00:00:00Zhttps://eap-iea.org/index.php/eap/article/view/117https://doaj.org/toc/0353-1589https://doaj.org/toc/2334-8801If the object of research is Neolithic ceramics, it would seem that the researcher is at a loss when it comes to illuminating certain social aspects of the manufacture of pottery. In archaeological inquiry the artisan always remain “invisible”, even though their identities are crucial in the reconstruction of social relations. Thus, if we wish to identify the gender and social standing of artisans in the deeper layers of history, we must turn to ethno-archaeological and anthropological research. A number of ethno-archaeological and anthropological studies confirm the conclusion that pottery can be considered a female occupation in non-industrialized societies. However it seems that a rough, gender-based division of production to non-specialized – female and specialized – male, is too simplified. According to this point of view, women engage in pottery only when they have no other work to do – be it household chores or agricultural labor, and they produce pottery only to meet the needs of their own household. Ethno-archaeological research, however, shows that women can indeed become specialized artisans. The specialization of women can be observed in three forms: 1. in those communities where only some households engage in production of pottery, 2. in specialized communities and 3. in communities where female pottery makers belong to specific social groups. Based on anthropological research, we can assume that the adoption of pottery is directly linked to the gender based division in everyday activities. Beliefs, rituals and taboos connected to the production of pottery which have been ethnographically documented, and wherein the production of pottery is equated with the shift in the life cycle, birth and death, only serve to vouch for the identity of the artisan in the earliest ceramic communities.Jasna VukovićUniversity of BelgradearticlepotterywomanethnoarchaeologyanthropologyNeolithicAnthropologyGN1-890ENFRSREtnoantropološki Problemi, Vol 8, Iss 1 (2016)
institution DOAJ
collection DOAJ
language EN
FR
SR
topic pottery
woman
ethnoarchaeology
anthropology
Neolithic
Anthropology
GN1-890
spellingShingle pottery
woman
ethnoarchaeology
anthropology
Neolithic
Anthropology
GN1-890
Jasna Vuković
Female Technology: The Identity of Neolithic Potters
description If the object of research is Neolithic ceramics, it would seem that the researcher is at a loss when it comes to illuminating certain social aspects of the manufacture of pottery. In archaeological inquiry the artisan always remain “invisible”, even though their identities are crucial in the reconstruction of social relations. Thus, if we wish to identify the gender and social standing of artisans in the deeper layers of history, we must turn to ethno-archaeological and anthropological research. A number of ethno-archaeological and anthropological studies confirm the conclusion that pottery can be considered a female occupation in non-industrialized societies. However it seems that a rough, gender-based division of production to non-specialized – female and specialized – male, is too simplified. According to this point of view, women engage in pottery only when they have no other work to do – be it household chores or agricultural labor, and they produce pottery only to meet the needs of their own household. Ethno-archaeological research, however, shows that women can indeed become specialized artisans. The specialization of women can be observed in three forms: 1. in those communities where only some households engage in production of pottery, 2. in specialized communities and 3. in communities where female pottery makers belong to specific social groups. Based on anthropological research, we can assume that the adoption of pottery is directly linked to the gender based division in everyday activities. Beliefs, rituals and taboos connected to the production of pottery which have been ethnographically documented, and wherein the production of pottery is equated with the shift in the life cycle, birth and death, only serve to vouch for the identity of the artisan in the earliest ceramic communities.
format article
author Jasna Vuković
author_facet Jasna Vuković
author_sort Jasna Vuković
title Female Technology: The Identity of Neolithic Potters
title_short Female Technology: The Identity of Neolithic Potters
title_full Female Technology: The Identity of Neolithic Potters
title_fullStr Female Technology: The Identity of Neolithic Potters
title_full_unstemmed Female Technology: The Identity of Neolithic Potters
title_sort female technology: the identity of neolithic potters
publisher University of Belgrade
publishDate 2016
url https://doaj.org/article/6b92c2e3045c4291848a00aed38dbc66
work_keys_str_mv AT jasnavukovic femaletechnologytheidentityofneolithicpotters
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