Du goût à la théorie. Le « Maître de Buli » au travers du prisme photographique
Using a number of photographs of one the most emblematic sculptures of the Royal Museum of Central Africa, the author sketches a short evolution of the aesthetic and scientific trends connected to the “Master of Buli” bowl-bearing figure. By analyzing the special interest Belgian scholar Frans-Maria...
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2017
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oai:doaj.org-article:6bae8f61e4e44a189eb083b95a6e21632021-12-02T10:48:13ZDu goût à la théorie. Le « Maître de Buli » au travers du prisme photographique2431-204510.4000/aaa.971https://doaj.org/article/6bae8f61e4e44a189eb083b95a6e21632017-11-01T00:00:00Zhttp://journals.openedition.org/aaa/971https://doaj.org/toc/2431-2045Using a number of photographs of one the most emblematic sculptures of the Royal Museum of Central Africa, the author sketches a short evolution of the aesthetic and scientific trends connected to the “Master of Buli” bowl-bearing figure. By analyzing the special interest Belgian scholar Frans-Maria Olbrechts showed for figures by this artist, we will be able to summarize his “Olbrechtian” theories, based on previous work of German-American anthropologist Franz Boas, Italian art historian Giovanni Morelli and indirectly the research of French anatomist Georges Cuvier.Julien VolperOpenEditionarticleMaster of BuliLubaartstatuaryart theoryArchaeologyCC1-960History of the artsNX440-632ENFRAfrique Archéologie Arts, Vol 13, Pp 11-22 (2017) |
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EN FR |
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Master of Buli Luba art statuary art theory Archaeology CC1-960 History of the arts NX440-632 |
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Master of Buli Luba art statuary art theory Archaeology CC1-960 History of the arts NX440-632 Julien Volper Du goût à la théorie. Le « Maître de Buli » au travers du prisme photographique |
| description |
Using a number of photographs of one the most emblematic sculptures of the Royal Museum of Central Africa, the author sketches a short evolution of the aesthetic and scientific trends connected to the “Master of Buli” bowl-bearing figure. By analyzing the special interest Belgian scholar Frans-Maria Olbrechts showed for figures by this artist, we will be able to summarize his “Olbrechtian” theories, based on previous work of German-American anthropologist Franz Boas, Italian art historian Giovanni Morelli and indirectly the research of French anatomist Georges Cuvier. |
| format |
article |
| author |
Julien Volper |
| author_facet |
Julien Volper |
| author_sort |
Julien Volper |
| title |
Du goût à la théorie. Le « Maître de Buli » au travers du prisme photographique |
| title_short |
Du goût à la théorie. Le « Maître de Buli » au travers du prisme photographique |
| title_full |
Du goût à la théorie. Le « Maître de Buli » au travers du prisme photographique |
| title_fullStr |
Du goût à la théorie. Le « Maître de Buli » au travers du prisme photographique |
| title_full_unstemmed |
Du goût à la théorie. Le « Maître de Buli » au travers du prisme photographique |
| title_sort |
du goût à la théorie. le « maître de buli » au travers du prisme photographique |
| publisher |
OpenEdition |
| publishDate |
2017 |
| url |
https://doaj.org/article/6bae8f61e4e44a189eb083b95a6e2163 |
| work_keys_str_mv |
AT julienvolper dugoutalatheorielemaitredebuliautraversduprismephotographique |
| _version_ |
1718396652800180224 |