Damnatio ad bestias: Performing Animality and Womanhood in Contemporary Irish and Galician Poetry

The concomitant subjection of women and animals was denounced as early as 1990 by Carol J. Adams in The Sexual Politics of Meat, where she identified the intersections of discourses that aim at the subjugation of women and animals and censured those practices that animalize women and feminize anima...

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Autores principales: Manuela Palacios, Marilar Aleixandre
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Publicado: Università degli Studi di Milano 2021
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Acceso en línea:https://doaj.org/article/6bb2eaeeca23471fbec7be6c2eabcd5d
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spelling oai:doaj.org-article:6bb2eaeeca23471fbec7be6c2eabcd5d2021-11-30T09:18:57ZDamnatio ad bestias: Performing Animality and Womanhood in Contemporary Irish and Galician Poetry10.54103/2035-7680/166902035-7680https://doaj.org/article/6bb2eaeeca23471fbec7be6c2eabcd5d2021-11-01T00:00:00Zhttps://riviste.unimi.it/index.php/AMonline/article/view/16690https://doaj.org/toc/2035-7680 The concomitant subjection of women and animals was denounced as early as 1990 by Carol J. Adams in The Sexual Politics of Meat, where she identified the intersections of discourses that aim at the subjugation of women and animals and censured those practices that animalize women and feminize animals for the better exploitation of both. More recent ecofeminist debates, however, have highlighted women’s vindication of animality with the aim to recuperate one’s repressed animal nature and rebel against oppressive anthropocentric and androcentric constrictions (Velasco Sesma 2017). This article focuses on contemporary Irish and Galician poetry concerned with the performativity of animality and womanhood in contemporary society and engaged in the emancipation of women and animals from patriarchal oppression. Ireland and Galicia have shared longstanding cultural bonds and, since the 1990s, have experienced a conspicuous accession of women writers who have participated in the feminist and environmental debates of their respective communities. This article exposes the intersecting discourses and practices that subdue animals and women, as evinced in contemporary Irish and Galician writing, and shows how poetry can become a locus of resistance and woman-animal complicity in the struggle for mutual emancipation. Manuela PalaciosMarilar AleixandreUniversità degli Studi di MilanoarticlePoetry; Ireland; Galicia; Ecocriticism; Ecofeminism; Animal StudiesLanguage and LiteraturePLiterature (General)PN1-6790ENESFRITAltre Modernità, Iss 26 (2021)
institution DOAJ
collection DOAJ
language EN
ES
FR
IT
topic Poetry; Ireland; Galicia; Ecocriticism; Ecofeminism; Animal Studies
Language and Literature
P
Literature (General)
PN1-6790
spellingShingle Poetry; Ireland; Galicia; Ecocriticism; Ecofeminism; Animal Studies
Language and Literature
P
Literature (General)
PN1-6790
Manuela Palacios
Marilar Aleixandre
Damnatio ad bestias: Performing Animality and Womanhood in Contemporary Irish and Galician Poetry
description The concomitant subjection of women and animals was denounced as early as 1990 by Carol J. Adams in The Sexual Politics of Meat, where she identified the intersections of discourses that aim at the subjugation of women and animals and censured those practices that animalize women and feminize animals for the better exploitation of both. More recent ecofeminist debates, however, have highlighted women’s vindication of animality with the aim to recuperate one’s repressed animal nature and rebel against oppressive anthropocentric and androcentric constrictions (Velasco Sesma 2017). This article focuses on contemporary Irish and Galician poetry concerned with the performativity of animality and womanhood in contemporary society and engaged in the emancipation of women and animals from patriarchal oppression. Ireland and Galicia have shared longstanding cultural bonds and, since the 1990s, have experienced a conspicuous accession of women writers who have participated in the feminist and environmental debates of their respective communities. This article exposes the intersecting discourses and practices that subdue animals and women, as evinced in contemporary Irish and Galician writing, and shows how poetry can become a locus of resistance and woman-animal complicity in the struggle for mutual emancipation.
format article
author Manuela Palacios
Marilar Aleixandre
author_facet Manuela Palacios
Marilar Aleixandre
author_sort Manuela Palacios
title Damnatio ad bestias: Performing Animality and Womanhood in Contemporary Irish and Galician Poetry
title_short Damnatio ad bestias: Performing Animality and Womanhood in Contemporary Irish and Galician Poetry
title_full Damnatio ad bestias: Performing Animality and Womanhood in Contemporary Irish and Galician Poetry
title_fullStr Damnatio ad bestias: Performing Animality and Womanhood in Contemporary Irish and Galician Poetry
title_full_unstemmed Damnatio ad bestias: Performing Animality and Womanhood in Contemporary Irish and Galician Poetry
title_sort damnatio ad bestias: performing animality and womanhood in contemporary irish and galician poetry
publisher Università degli Studi di Milano
publishDate 2021
url https://doaj.org/article/6bb2eaeeca23471fbec7be6c2eabcd5d
work_keys_str_mv AT manuelapalacios damnatioadbestiasperforminganimalityandwomanhoodincontemporaryirishandgalicianpoetry
AT marilaraleixandre damnatioadbestiasperforminganimalityandwomanhoodincontemporaryirishandgalicianpoetry
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