Dystopias in the Realm of Popular Culture: Introducing Elements of Posthuman and Postfeminist Discourse to the Mass Audience Female Readership in Cecelia Ahern’s Roar (2018)
This article analyzes selected short stories in Cecelia Ahern’s thirty-narrative collection Roar (2018) to see how (and with what losses or gains) the perspectives of posthuman and postfeminist critique can be incorporated via the common dystopic umbrella into the mainstream female readership of rom...
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| Formato: | article |
| Lenguaje: | EN |
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Lodz University Press
2021
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| Acceso en línea: | https://doaj.org/article/6c3d68da66b545098a493febbd9d02c0 |
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