L’histoire à Versailles : plaidoyer pour la réhabilitation du chef-d’œuvre

Louis-Philippe transformed Versailles into a museum of large rooms covered in paintings of the great events in French history. The public was thus meant to – in the course of a single visit – discover the beauty of the royal apartments and the Hall of Mirrors and understand their symbolism; in the G...

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Autor principal:	Claire Constans
Formato:	article
Lenguaje:	EN FR
Publicado:	Centre de Recherche du Château de Versailles 2021
Materias:	Versailles Louis-Philippe history painting Gallery of Battles Crusades Rooms history of France Fine Arts N History of the arts NX440-632 History of France DC1-947
Acceso en línea:	https://doaj.org/article/6c80f441b54a4eeb8271a7a1b9786ad0
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id	oai:doaj.org-article:6c80f441b54a4eeb8271a7a1b9786ad0
record_format	dspace
spelling	oai:doaj.org-article:6c80f441b54a4eeb8271a7a1b9786ad02021-12-02T10:50:21ZL’histoire à Versailles : plaidoyer pour la réhabilitation du chef-d’œuvre1958-927110.4000/crcv.21368https://doaj.org/article/6c80f441b54a4eeb8271a7a1b9786ad02021-10-01T00:00:00Zhttp://journals.openedition.org/crcv/21368https://doaj.org/toc/1958-9271Louis-Philippe transformed Versailles into a museum of large rooms covered in paintings of the great events in French history. The public was thus meant to – in the course of a single visit – discover the beauty of the royal apartments and the Hall of Mirrors and understand their symbolism; in the Gallery of Battles, visitors with a keen interest in history could also contemplate a story told, and sometimes reinvented, with anecdotal details and with the help of beautiful images that would leave a lasting impression. Presenting a vision of history that is more faithful to the truth yet still retains the monumental museography inherited from the Ancien Régime, completing ensembles left unfinished and expanding the collections: that is henceforth the curator’s duty. The Versailles historical collections, some of the finest in the world, are indispensable to the study of art history: the very mission of the museum is to highlight them. Alongside history, the work of art thus finds itself at the heart of the debate in Versailles and the creation of new rooms should not forgo the celebration of artistic genius. The public will thus be able to read the image in a way that is not facile and appreciate both the collection and its components, discovering the harmony of beauty and truth that defines the inner necessity of a work of art.Claire ConstansCentre de Recherche du Château de VersaillesarticleVersaillesLouis-Philippehistory paintingGallery of BattlesCrusades Roomshistory of FranceFine ArtsNHistory of the artsNX440-632History of FranceDC1-947ENFRBulletin du Centre de Recherche du Château de Versailles (2021)
institution	DOAJ
collection	DOAJ
language	EN FR
topic	Versailles Louis-Philippe history painting Gallery of Battles Crusades Rooms history of France Fine Arts N History of the arts NX440-632 History of France DC1-947
spellingShingle	Versailles Louis-Philippe history painting Gallery of Battles Crusades Rooms history of France Fine Arts N History of the arts NX440-632 History of France DC1-947 Claire Constans L’histoire à Versailles : plaidoyer pour la réhabilitation du chef-d’œuvre
description	Louis-Philippe transformed Versailles into a museum of large rooms covered in paintings of the great events in French history. The public was thus meant to – in the course of a single visit – discover the beauty of the royal apartments and the Hall of Mirrors and understand their symbolism; in the Gallery of Battles, visitors with a keen interest in history could also contemplate a story told, and sometimes reinvented, with anecdotal details and with the help of beautiful images that would leave a lasting impression. Presenting a vision of history that is more faithful to the truth yet still retains the monumental museography inherited from the Ancien Régime, completing ensembles left unfinished and expanding the collections: that is henceforth the curator’s duty. The Versailles historical collections, some of the finest in the world, are indispensable to the study of art history: the very mission of the museum is to highlight them. Alongside history, the work of art thus finds itself at the heart of the debate in Versailles and the creation of new rooms should not forgo the celebration of artistic genius. The public will thus be able to read the image in a way that is not facile and appreciate both the collection and its components, discovering the harmony of beauty and truth that defines the inner necessity of a work of art.
format	article
author	Claire Constans
author_facet	Claire Constans
author_sort	Claire Constans
title	L’histoire à Versailles : plaidoyer pour la réhabilitation du chef-d’œuvre
title_short	L’histoire à Versailles : plaidoyer pour la réhabilitation du chef-d’œuvre
title_full	L’histoire à Versailles : plaidoyer pour la réhabilitation du chef-d’œuvre
title_fullStr	L’histoire à Versailles : plaidoyer pour la réhabilitation du chef-d’œuvre
title_full_unstemmed	L’histoire à Versailles : plaidoyer pour la réhabilitation du chef-d’œuvre
title_sort	l’histoire à versailles : plaidoyer pour la réhabilitation du chef-d’œuvre
publisher	Centre de Recherche du Château de Versailles
publishDate	2021
url	https://doaj.org/article/6c80f441b54a4eeb8271a7a1b9786ad0
work_keys_str_mv	AT claireconstans lhistoireaversaillesplaidoyerpourlarehabilitationduchefdœuvre
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L’histoire à Versailles : plaidoyer pour la réhabilitation du chef-d’œuvre

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