The “How” and “What” of Aesthetic Experience. Some Reflections Based on Noë’s Strange Tools. Art and Human Nature
Being a book on art and its nature, Strange Tools deals with aesthetic experience as a crucial object of inquiry. Indeed, it offers several interesting insights into what aesthetic experience is and how we should (or should not) account for it. However, some aspects of Noë’s analysis raise questions...
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Rosenberg & Sellier
2018
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oai:doaj.org-article:6ca63f41d54a459f9bf87e4dd1e4478d2021-12-02T09:50:52ZThe “How” and “What” of Aesthetic Experience. Some Reflections Based on Noë’s Strange Tools. Art and Human Nature10.13128/Phe_Mi-236212280-78532239-4028https://doaj.org/article/6ca63f41d54a459f9bf87e4dd1e4478d2018-09-01T00:00:00Zhttps://oaj.fupress.net/index.php/pam/article/view/7303https://doaj.org/toc/2280-7853https://doaj.org/toc/2239-4028Being a book on art and its nature, Strange Tools deals with aesthetic experience as a crucial object of inquiry. Indeed, it offers several interesting insights into what aesthetic experience is and how we should (or should not) account for it. However, some aspects of Noë’s analysis raise questions, both about the act and about the object of aesthetic experience itself. In this paper, I will discuss these issues highlighting a potential conflict in the author’s analysis of aesthetic experience and providing some hints about the objective correlate of such an experience.Francesca ForlèRosenberg & Sellierarticleaesthetic experienceenactive perceptionAestheticsBH1-301EthicsBJ1-1725ENFRITPhenomenology and Mind, Iss 14 (2018) |
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aesthetic experience enactive perception Aesthetics BH1-301 Ethics BJ1-1725 |
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aesthetic experience enactive perception Aesthetics BH1-301 Ethics BJ1-1725 Francesca Forlè The “How” and “What” of Aesthetic Experience. Some Reflections Based on Noë’s Strange Tools. Art and Human Nature |
description |
Being a book on art and its nature, Strange Tools deals with aesthetic experience as a crucial object of inquiry. Indeed, it offers several interesting insights into what aesthetic experience is and how we should (or should not) account for it. However, some aspects of Noë’s analysis raise questions, both about the act and about the object of aesthetic experience itself. In this paper, I will discuss these issues highlighting a potential conflict in the author’s analysis of aesthetic experience and providing some hints about the objective correlate of such an experience. |
format |
article |
author |
Francesca Forlè |
author_facet |
Francesca Forlè |
author_sort |
Francesca Forlè |
title |
The “How” and “What” of Aesthetic Experience. Some Reflections Based on Noë’s Strange Tools. Art and Human Nature |
title_short |
The “How” and “What” of Aesthetic Experience. Some Reflections Based on Noë’s Strange Tools. Art and Human Nature |
title_full |
The “How” and “What” of Aesthetic Experience. Some Reflections Based on Noë’s Strange Tools. Art and Human Nature |
title_fullStr |
The “How” and “What” of Aesthetic Experience. Some Reflections Based on Noë’s Strange Tools. Art and Human Nature |
title_full_unstemmed |
The “How” and “What” of Aesthetic Experience. Some Reflections Based on Noë’s Strange Tools. Art and Human Nature |
title_sort |
“how” and “what” of aesthetic experience. some reflections based on noë’s strange tools. art and human nature |
publisher |
Rosenberg & Sellier |
publishDate |
2018 |
url |
https://doaj.org/article/6ca63f41d54a459f9bf87e4dd1e4478d |
work_keys_str_mv |
AT francescaforle thehowandwhatofaestheticexperiencesomereflectionsbasedonnoesstrangetoolsartandhumannature AT francescaforle howandwhatofaestheticexperiencesomereflectionsbasedonnoesstrangetoolsartandhumannature |
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1718398008709611520 |