Unsuspected faces: Borges, Brines, Valente

My proposal focuses on linking some fifties spanish poets´creative projects (Brines and Valente, specifically) with Jorge Luis Borges. The bow is visibly established from the use, in all three cases, of a common enunciation key, the "dramatic monologue", whose formal enthronement begins wi...

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Autor principal:	Marcela Romano
Formato:	article
Lenguaje:	ES
Publicado:	Universitat Autònoma de Barcelona 2014
Materias:	Brines Valente Borges dramatic monologue French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
Acceso en línea:	https://doaj.org/article/6cd44702953e4237af2917a17fc79bae
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spelling	oai:doaj.org-article:6cd44702953e4237af2917a17fc79bae2021-11-22T17:00:07ZUnsuspected faces: Borges, Brines, Valente10.5565/rev/mitologias.2092014-1130https://doaj.org/article/6cd44702953e4237af2917a17fc79bae2014-08-01T00:00:00Zhttps://revistes.uab.cat/mitologias/article/view/209https://doaj.org/toc/2014-1130My proposal focuses on linking some fifties spanish poets´creative projects (Brines and Valente, specifically) with Jorge Luis Borges. The bow is visibly established from the use, in all three cases, of a common enunciation key, the "dramatic monologue", whose formal enthronement begins with Browning and Tennyson in the last quarter of the nineteenth century. The convergence —in which the later Cernuda decisively takes part— lets guess, beyond the “influences”, common poetic programs, all alerted about the pathetic fallacy of certain Romanticism, and the commitment by a refined and meditative poetry. Marcela RomanoUniversitat Autònoma de BarcelonaarticleBrinesValenteBorgesdramatic monologueFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESMitologías Hoy, Vol 9 (2014)
institution	DOAJ
collection	DOAJ
language	ES
topic	Brines Valente Borges dramatic monologue French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
spellingShingle	Brines Valente Borges dramatic monologue French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Marcela Romano Unsuspected faces: Borges, Brines, Valente
description	My proposal focuses on linking some fifties spanish poets´creative projects (Brines and Valente, specifically) with Jorge Luis Borges. The bow is visibly established from the use, in all three cases, of a common enunciation key, the "dramatic monologue", whose formal enthronement begins with Browning and Tennyson in the last quarter of the nineteenth century. The convergence —in which the later Cernuda decisively takes part— lets guess, beyond the “influences”, common poetic programs, all alerted about the pathetic fallacy of certain Romanticism, and the commitment by a refined and meditative poetry.
format	article
author	Marcela Romano
author_facet	Marcela Romano
author_sort	Marcela Romano
title	Unsuspected faces: Borges, Brines, Valente
title_short	Unsuspected faces: Borges, Brines, Valente
title_full	Unsuspected faces: Borges, Brines, Valente
title_fullStr	Unsuspected faces: Borges, Brines, Valente
title_full_unstemmed	Unsuspected faces: Borges, Brines, Valente
title_sort	unsuspected faces: borges, brines, valente
publisher	Universitat Autònoma de Barcelona
publishDate	2014
url	https://doaj.org/article/6cd44702953e4237af2917a17fc79bae
work_keys_str_mv	AT marcelaromano unsuspectedfacesborgesbrinesvalente
_version_	1718417444037459968

Unsuspected faces: Borges, Brines, Valente

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