Floating tones and contour tones in Kenyang

Tonal alternations in the Bantu language Kenyang appear on first consideration to be rather complicated but yield to analysis into a small number of rules, which reveal interesting properties of floating tones, contour tones, and the tone-bearing unit in the language. This study focuses on the follo...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: David Odden
Formato: article
Lenguaje:EN
FR
Publicado: LibraryPress@UF 1988
Materias:
Acceso en línea:https://doaj.org/article/6d9b0fee011543d9af10b2e5de01bf2b
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
id oai:doaj.org-article:6d9b0fee011543d9af10b2e5de01bf2b
record_format dspace
spelling oai:doaj.org-article:6d9b0fee011543d9af10b2e5de01bf2b2021-11-19T03:54:53ZFloating tones and contour tones in Kenyang10.32473/sal.v19i1.1074670039-35332154-428Xhttps://doaj.org/article/6d9b0fee011543d9af10b2e5de01bf2b1988-04-01T00:00:00Zhttps://journals.flvc.org/sal/article/view/107467https://doaj.org/toc/0039-3533https://doaj.org/toc/2154-428XTonal alternations in the Bantu language Kenyang appear on first consideration to be rather complicated but yield to analysis into a small number of rules, which reveal interesting properties of floating tones, contour tones, and the tone-bearing unit in the language. This study focuses on the following problems. First, there is a phonetic contrast, found only at the end of the utterance, between the downgliding L of eket and the unreleased L of basemo. Unreleased L will be shown to derive from rising tone. Second, I argue that syllable final consonants may be tone-bearing, a claim supported by analysis of tone alternations resulting from postlexical resyllabification. Third, Kenyang uses floating L prefixes to form morphological verb tense distinctions. There is a behavioral contrast between the free L tone marking the progressive, which triggers downstep and blocks a spreading rule, versus the free L used in the recent past, which docks to the first root vowel, thereby causing the root tone to shift rightward. The analytic problem is to find a way to represent these two types of floating L. The distinction can be handled by assigning them to different levels of the lexical phonology, so that the shift-inducing L is added when verb roots are inserted, but the float-only L is added at a later stratum-. Finally, I show that the interaction between the two rules H Spreading and Fall Simplification provides evidence for the cyclic application of postlexical rules.David OddenLibraryPress@UFarticletoneKenyangBantuphoneticsdownglidingPhilology. LinguisticsP1-1091ENFRStudies in African Linguistics, Vol 19, Iss 1 (1988)
institution DOAJ
collection DOAJ
language EN
FR
topic tone
Kenyang
Bantu
phonetics
downgliding
Philology. Linguistics
P1-1091
spellingShingle tone
Kenyang
Bantu
phonetics
downgliding
Philology. Linguistics
P1-1091
David Odden
Floating tones and contour tones in Kenyang
description Tonal alternations in the Bantu language Kenyang appear on first consideration to be rather complicated but yield to analysis into a small number of rules, which reveal interesting properties of floating tones, contour tones, and the tone-bearing unit in the language. This study focuses on the following problems. First, there is a phonetic contrast, found only at the end of the utterance, between the downgliding L of eket and the unreleased L of basemo. Unreleased L will be shown to derive from rising tone. Second, I argue that syllable final consonants may be tone-bearing, a claim supported by analysis of tone alternations resulting from postlexical resyllabification. Third, Kenyang uses floating L prefixes to form morphological verb tense distinctions. There is a behavioral contrast between the free L tone marking the progressive, which triggers downstep and blocks a spreading rule, versus the free L used in the recent past, which docks to the first root vowel, thereby causing the root tone to shift rightward. The analytic problem is to find a way to represent these two types of floating L. The distinction can be handled by assigning them to different levels of the lexical phonology, so that the shift-inducing L is added when verb roots are inserted, but the float-only L is added at a later stratum-. Finally, I show that the interaction between the two rules H Spreading and Fall Simplification provides evidence for the cyclic application of postlexical rules.
format article
author David Odden
author_facet David Odden
author_sort David Odden
title Floating tones and contour tones in Kenyang
title_short Floating tones and contour tones in Kenyang
title_full Floating tones and contour tones in Kenyang
title_fullStr Floating tones and contour tones in Kenyang
title_full_unstemmed Floating tones and contour tones in Kenyang
title_sort floating tones and contour tones in kenyang
publisher LibraryPress@UF
publishDate 1988
url https://doaj.org/article/6d9b0fee011543d9af10b2e5de01bf2b
work_keys_str_mv AT davidodden floatingtonesandcontourtonesinkenyang
_version_ 1718420557158940672