MEREPRESENTASIKAN SENI PERTUNJUKAN TRADISI MELALUI PENDEKATAN ETNODOKUMENTER

To perform the representation of an art tradition is not simple. We need approachment method because the rites have sense of spirit and myth. This is the same as we record the sense of life from local genuine people with the way of life in their culture system. Therefore we must be very careful when...

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Autor principal:	Gerzon R. Ayawaila
Formato:	article
Lenguaje:	ID
Publicado:	Institut Seni Indonesia Surakarta 2016
Materias:	Fine Arts N
Acceso en línea:	https://doaj.org/article/6ea71cb7288240158f1a1db473e94dca
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spelling	oai:doaj.org-article:6ea71cb7288240158f1a1db473e94dca2021-11-26T03:25:50ZMEREPRESENTASIKAN SENI PERTUNJUKAN TRADISI MELALUI PENDEKATAN ETNODOKUMENTER1412-41812685-287X10.33153/dewaruci.v6i1.845https://doaj.org/article/6ea71cb7288240158f1a1db473e94dca2016-01-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/845https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XTo perform the representation of an art tradition is not simple. We need approachment method because the rites have sense of spirit and myth. This is the same as we record the sense of life from local genuine people with the way of life in their culture system. Therefore we must be very careful when we recorded and represented the whole spirit of local tradition culture of their social life. This note was trying to analyze how we could represent the performing of an art tradition through film or video, from two point of views, in two different disciplines: Visual Anthropology and Documentary Film. Camera or audiovisual is a research tool for Anthropology. Sinematography is a process of an abstract observation but it is quite different from the fieldworkerâ€™s inscribe notebook where the information is preserved in literate code. Sinematography could gather selected and specific information, recorded the realism of time and motion or the psychological reality from varieties of interpersonal relations. With the camera we can analyze the way of action of an art tradition was performed, where so many elements are in motion together. In this situation human memory and notebook records become wholly inadequate. This note was written with the purpose of not to some normative answer about where the ideal point of view between anthropology and documentary approachment method. Between two distinguished approachment point of view, maybe we could have another creative approachment in same reason with comparative perspective, to records and to represent the performing of an art tradition in their own reality. Key word: documentary, tradition art performing, visual languageGerzon R. AyawailaInstitut Seni Indonesia SurakartaarticleFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 6, Iss 1 (2016)
institution	DOAJ
collection	DOAJ
language	ID
topic	Fine Arts N
spellingShingle	Fine Arts N Gerzon R. Ayawaila MEREPRESENTASIKAN SENI PERTUNJUKAN TRADISI MELALUI PENDEKATAN ETNODOKUMENTER
description	To perform the representation of an art tradition is not simple. We need approachment method because the rites have sense of spirit and myth. This is the same as we record the sense of life from local genuine people with the way of life in their culture system. Therefore we must be very careful when we recorded and represented the whole spirit of local tradition culture of their social life. This note was trying to analyze how we could represent the performing of an art tradition through film or video, from two point of views, in two different disciplines: Visual Anthropology and Documentary Film. Camera or audiovisual is a research tool for Anthropology. Sinematography is a process of an abstract observation but it is quite different from the fieldworkerâ€™s inscribe notebook where the information is preserved in literate code. Sinematography could gather selected and specific information, recorded the realism of time and motion or the psychological reality from varieties of interpersonal relations. With the camera we can analyze the way of action of an art tradition was performed, where so many elements are in motion together. In this situation human memory and notebook records become wholly inadequate. This note was written with the purpose of not to some normative answer about where the ideal point of view between anthropology and documentary approachment method. Between two distinguished approachment point of view, maybe we could have another creative approachment in same reason with comparative perspective, to records and to represent the performing of an art tradition in their own reality. Key word: documentary, tradition art performing, visual language
format	article
author	Gerzon R. Ayawaila
author_facet	Gerzon R. Ayawaila
author_sort	Gerzon R. Ayawaila
title	MEREPRESENTASIKAN SENI PERTUNJUKAN TRADISI MELALUI PENDEKATAN ETNODOKUMENTER
title_short	MEREPRESENTASIKAN SENI PERTUNJUKAN TRADISI MELALUI PENDEKATAN ETNODOKUMENTER
title_full	MEREPRESENTASIKAN SENI PERTUNJUKAN TRADISI MELALUI PENDEKATAN ETNODOKUMENTER
title_fullStr	MEREPRESENTASIKAN SENI PERTUNJUKAN TRADISI MELALUI PENDEKATAN ETNODOKUMENTER
title_full_unstemmed	MEREPRESENTASIKAN SENI PERTUNJUKAN TRADISI MELALUI PENDEKATAN ETNODOKUMENTER
title_sort	merepresentasikan seni pertunjukan tradisi melalui pendekatan etnodokumenter
publisher	Institut Seni Indonesia Surakarta
publishDate	2016
url	https://doaj.org/article/6ea71cb7288240158f1a1db473e94dca
work_keys_str_mv	AT gerzonrayawaila merepresentasikansenipertunjukantradisimelaluipendekatanetnodokumenter
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MEREPRESENTASIKAN SENI PERTUNJUKAN TRADISI MELALUI PENDEKATAN ETNODOKUMENTER

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