Variazioni sul tema: i casi di “The Front Page”
It seems simplistic to consider the cinematographic remake as a simple business operation, which offers a past success with the aim of reaching its outcomes. It is more stimulating to observe the variations from one version to another, tracing the creative contribution of each author, in a process w...
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| Formato: | article |
| Lenguaje: | EN ES FR IT |
| Publicado: |
Prof. Rinaldo Rinaldi
2021
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/6eb3cedf8ffc4a87a16939ab66c17210 |
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| Sumario: | It seems simplistic to consider the cinematographic remake as a simple business operation, which offers a past success with the aim of reaching its outcomes. It is more stimulating to observe the variations from one version to another, tracing the creative contribution of each author, in a process which involves the source, the different personal poetics and tastes of the public. This is what this essay proposes, examining “The Front Page” by Lewis Milestone (1931), “His Girl’s Friday” by Howard Hawks (1940) and “The Front Page” by Billy Wilder (1974), all derived from a famous play by Ben Hecht and Charles MacArthur (1928). |
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