Image of Mary Stuart in Tragedies of C. H. Spiess and F. Schiller

Features of the interpretation of events related to the life and death of the Queen of Scotland, Mary Stuart (1542-1587), in the works of the outstanding German playwright F. Schiller (1759-1805) and his contemporary, the famous writer Christian Heinrich Spiess (Spiess, 1755-1799) is considered. The...

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Autores principales: Arkadii N. Makarov, Elena V. Kirichuk
Formato: article
Lenguaje:RU
Publicado: Tsentr nauchnykh i obrazovatelnykh proektov 2020
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Acceso en línea:https://doaj.org/article/6fa13d5947de4d7f87b24320525c2eb8
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spelling oai:doaj.org-article:6fa13d5947de4d7f87b24320525c2eb82021-12-02T07:58:11ZImage of Mary Stuart in Tragedies of C. H. Spiess and F. Schiller2225-756X2227-129510.24224/2227-1295-2020-7-266-283https://doaj.org/article/6fa13d5947de4d7f87b24320525c2eb82020-07-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1731https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295Features of the interpretation of events related to the life and death of the Queen of Scotland, Mary Stuart (1542-1587), in the works of the outstanding German playwright F. Schiller (1759-1805) and his contemporary, the famous writer Christian Heinrich Spiess (Spiess, 1755-1799) is considered. The originality in the image of the last days of Mary by C. H. Spiess and F. Schiller is emphasized. The question is raised about the various literary and aesthetic positions of both German writers. Attention is paid to the review of works in various genres and genres of art dedicated to Mary Stuart by Spiess and Schiller. First, an analysis of the work of the author, which is secondary in the framework of German and European literature, is presented, since Spiess wrote his tragedy many years before the great German playwright. It is shown that Schiller’s tragedy was written with a characteristic thirst for epic coverage of reality, while the stage play of Spiess is more focused on the events of the last days of Mary Stuart’s life and turns into a chamber work. The results of the study can be used when giving lecture courses on foreign literature of the XVIII-XXI centuries, special courses on the literature of Western European countries, on the problems of classical literature in Germany, as well as literature of the Western European Enlightenment and pre-romanticism.Arkadii N. MakarovElena V. KirichukTsentr nauchnykh i obrazovatelnykh proektovarticleмария стюартфридрих шиллеркристиан генрих шписснемецкая литератураmaria stuartfriedrich schillerchristian heinrich spiessgerman literatureSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 7, Pp 266-283 (2020)
institution DOAJ
collection DOAJ
language RU
topic мария стюарт
фридрих шиллер
кристиан генрих шписс
немецкая литература
maria stuart
friedrich schiller
christian heinrich spiess
german literature
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle мария стюарт
фридрих шиллер
кристиан генрих шписс
немецкая литература
maria stuart
friedrich schiller
christian heinrich spiess
german literature
Slavic languages. Baltic languages. Albanian languages
PG1-9665
Arkadii N. Makarov
Elena V. Kirichuk
Image of Mary Stuart in Tragedies of C. H. Spiess and F. Schiller
description Features of the interpretation of events related to the life and death of the Queen of Scotland, Mary Stuart (1542-1587), in the works of the outstanding German playwright F. Schiller (1759-1805) and his contemporary, the famous writer Christian Heinrich Spiess (Spiess, 1755-1799) is considered. The originality in the image of the last days of Mary by C. H. Spiess and F. Schiller is emphasized. The question is raised about the various literary and aesthetic positions of both German writers. Attention is paid to the review of works in various genres and genres of art dedicated to Mary Stuart by Spiess and Schiller. First, an analysis of the work of the author, which is secondary in the framework of German and European literature, is presented, since Spiess wrote his tragedy many years before the great German playwright. It is shown that Schiller’s tragedy was written with a characteristic thirst for epic coverage of reality, while the stage play of Spiess is more focused on the events of the last days of Mary Stuart’s life and turns into a chamber work. The results of the study can be used when giving lecture courses on foreign literature of the XVIII-XXI centuries, special courses on the literature of Western European countries, on the problems of classical literature in Germany, as well as literature of the Western European Enlightenment and pre-romanticism.
format article
author Arkadii N. Makarov
Elena V. Kirichuk
author_facet Arkadii N. Makarov
Elena V. Kirichuk
author_sort Arkadii N. Makarov
title Image of Mary Stuart in Tragedies of C. H. Spiess and F. Schiller
title_short Image of Mary Stuart in Tragedies of C. H. Spiess and F. Schiller
title_full Image of Mary Stuart in Tragedies of C. H. Spiess and F. Schiller
title_fullStr Image of Mary Stuart in Tragedies of C. H. Spiess and F. Schiller
title_full_unstemmed Image of Mary Stuart in Tragedies of C. H. Spiess and F. Schiller
title_sort image of mary stuart in tragedies of c. h. spiess and f. schiller
publisher Tsentr nauchnykh i obrazovatelnykh proektov
publishDate 2020
url https://doaj.org/article/6fa13d5947de4d7f87b24320525c2eb8
work_keys_str_mv AT arkadiinmakarov imageofmarystuartintragediesofchspiessandfschiller
AT elenavkirichuk imageofmarystuartintragediesofchspiessandfschiller
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